film

What should Robert Downey Jr. do now that his time as Iron Man has come to an end?

After the fallout of “Avengers: Endgame” Robert Downey Jr. has one of the most unique opportunities in the film game, he can choose to do whatever he wants with his time at this point. Any feature that has his name attached will likely garner more attention than most, even though his “Dolittle” didn’t quite mesh with audiences and critics, it still made over two-hundred million. Though I wouldn’t recommend big budget, overly CGI reliant tentpoles anymore. I would, however, recommend several options that could flavor the third act of his career in performance with bold, daring, choices. Or simply just weird and abstract roles. I’d recommend a future similar to the path that Daniel Radcliffe has taken, who went out of his way to choose downright insane, wildly fun, character pieces since leaving Hogwarts behind (My favorite being “Swiss Army Man” https://spacecortezwrites.com/2016/07/11/review-swiss-army-man-or-undead-harry-potter-farts-a-lot-paul-dano-talks-to-him-about-it/). Downey is no stranger to abstract or somewhat bizarre films, just look at “The Singing Detective” (https://spacecortezwrites.com/2017/12/16/review-the-singing-detective/) or “Kiss Kiss, Bang Bang” for a glance at some of his pre-Marvel Studios out-of-the-box roles. Below are just a couple of ideas I’ve been mulling lately.

Work with Mel Gibson

Okay, so we might as well get this one out of the way as some will outright reject any notion of Mel Gibson getting any work after his history of less than welcomed anti-semitic rants (obviously, not cool to say the least). However, it has been some time since then, and Gibson has apologized (http://content.time.com/time/specials/packages/article/0,28804,1913028_1913030_1913025,00.html), and as far as I know he hasn’t had any further instances of hate speech, and I have to admit that I admire his skill as an actor and a filmmaker. Why then, you might be asking, should Robert Downey Jr. work with Mel Gibson specifically? Well, for starters, the two have been longtime friends who have helped each other out in times of strife. Gibson acutally helped to produce the earlier mentioned “Singing Detective” which was Downey’s first role after his bout with rehab (link below to article about said friendship). Personally, what I would want most from a film starring these two as leads, is either A) a modern Noir in the same vein as “Chinatown” with the two as detectives chasing down Macguffins in the rain with shootouts and gritty mystery afoot; or B) some sort of cop drama with the two as partners, but less in the stylized noir genre and more like Downey’s previous work in “Zodiac” for example. There’s a lot that could be done with either premise, but both sound like a roaring good time to me!

https://archive.jsonline.com/entertainment/newswatch/149496285.html/#:~:text=During%20a%202003%20interview%20at,he%20could%20return%20the%20favor.

A24?

As previously stated here on this blog many times before, my love for the film studio A24 is boundless. Regardless of whether or not each film they distribute will be a box office juggernaut or a penniless dud- they simply refuse to make normal, broad-based appeal films. They always choose fascinating and artistically divergent films from filmmakers with a voice and vision. Which is why I would love to see Downey star in a film distributed by A24. The possibilities are unlimited. Just look at fellow MCU star Scarlett Johansson’s abstract film “Under The Skin” (The sixth film in this link: https://spacecortezwrites.com/2020/05/03/quarantine-2020-catch-up-rapid-fire-reviews-3-politics-and-or-absurdity/) for an idea at the potential. Could you imagine what Ari Aster or Robert Eggers would do with Robery Downey Jr in a starring role? I’m getting goosebumps just thinking about it!

Horror? Action?

While I feel like this category is the least likely, it’s also possibly the most enthralling of all the possibilities for me personally. If Downey got involved with the genre hits that have been cropping up more and more in recent years, I think there could be some excellent material for him to work with, plus I legitimately think his presence in these suggestions would better the films overall. If Jordan Peele, for example, wanted to work with Downey in a starring or supporting role in whatever horror concept he’s been stewing on as of late, I feel safely assured in the quality of that possible outcome. I also think it would be a real treat if Downey popped up in the next “Conjuring” sequel (mainline, not the spinoffs) as a Catholic priest, or even as one of the ghosts, or spirits, with a more involved role. That just seems like a good time. There’s also the possibility of him getting involved with the last of the planned “Halloween” sequels, “Halloween Ends”. I don’t quite know how he could fit in there- but damn it, I’d be happy if he showed up. Horror aside, it just struck me- What if Robert Downey Jr was in one of the next “John Wick” movies? Can you imagine it? What if he was a power player at the High Table? He could be a ruthless suit, or a gritty ringleader of some other faction within New York City or even the head of another major international city’s Continental! Or maybe just an old acquaintance of Mr. Wick’s that can assist him in his time of need? Awe man… now I really want him to be involved in the “John Wick” series…

Indie! Indie! Indie!

Maybe, however, RDJ just wants something … quieter? Something smaller, that speaks to our times, or simply a powerful drama about the human condition? He’s been nominated twice for the Oscars, but he has yet to take home the gold, maybe pairing with a critically acclaimed director for a good old-fashioned drama would merit him a shiny golden statue for his mantlepiece. There are a TON of filmmakers out there that could work with Downey to craft something truly unique, but the ones that immediately come to mind are Chlo√© Zhao, Martin McDonagh, David Lowery, or even Taika Waititi if he reverted to smaller scale drama/comedies like “The Hunt for the Wilderpeople” after his next Thor film. If he chose to go this route, I think we’d all be rewarded by the change in pace.

Well, there you have it! Those are just a few of my thoughts on the exciting future that awaits both audiences and Robert Downey Jr himself! Granted, this article is about a year and a half behind the crowd, but hey, I write ’em as they come to me. Whatever he chooses to do from here on out will be something to look forward to, that’s for sure! I’m still waiting on that third “Sherlock Holmes” movie if I’m being honest with you, but anyways, hope you had fun with all this RDJ speculation! Stay safe out there!

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Review: Hereditary

Written and Directed by Ari Aster, “Hereditary” is the latest horror movie from studio A24. This most recent offering continues A24’s tradition of releasing films that refuse to be average, which results in a storytelling boon for their audiences. “Hereditary” follows the lives of the Graham family as they navigate the loss of their Matriarch, Ellen. The film opens with her funeral as her daughter Annie (Toni Colette) gives a muted eulogy which perfectly preps us (but does not prepare us) with a foundation of paranoia. Ellen, it seems, was a very private person with private friends. So much so that her closest relatives know almost nothing about her life and its many secrets. The family dysfunction that stems outward from Ellen has produced a multitude of psychological and emotional issues in her offspring. Most notably affected by this is Annie, a miniature model creator, wife, and mother, who seems to be on the verge of a nervous breakdown- or at least close to one- right from the beginning of the film. Her husband¬†Steve Graham (Gabriel Byrne) just tries to keep everything and everyone around him afloat amidst the cavalcade of creeps that’s about to descend into his family’s life. They have two children Peter (Alex Wolff), the older teenager, and Charlie (Milly Shapiro), the very unsettling young girl who makes those creepy clicking sounds that you’ve heard in the advertising of the film.

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I will do my best to avoid spoilers in this review, or at least keep them to a minimum. There are essentially two sides to this film. There’s the story you think you’re watching for the first half of the film, and then there’s the second story that you won’t likely fully grasp the details of until the film very deliberately tells you what’s happening in the final shot of the film. In retrospect, there’s a very well thought out string of breadcrumbs sprinkled throughout the film that do hint at the supernatural underpinnings that are taking place just out of frame. There’s a lot going on in the film, there’s throwbacks to classic horror cinema from the mood and tension building of “The Shining” to the wild shock and awe of certain scenes from “The Exorcist”. Granted, I wouldn’t recommend going into any movie with your expectations rampant and out of control- the film simply cleverly pulls from those icons while greatly remaining as its own unique experimentation.

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The greatest thing the film accomplishes is its’ execution of tension and unsettling mystery. There’s one, maybe two, jump-scares in the entire film and that is a huge benefit. There is no release here, once the film has entrapped you, it has your undivided attention. There are words scrawled on the walls of the Grahams’ house, only ever seen by Annie who seems to become more and more untrustworthy and unraveled as the film progresses- which makes us question if she’s actually even seeing them. Not to mention Charlie, who is unquestionably disturbing in nearly every scene she’s in- and even in a few she’s not. Charlie has visions of her dead grandmother, cuts off a dead bird’s head for unknown reasons (a prelude to all the beheadings later in the film- there’s more than you would expect from this film’s pretenses), and she exponentially keeps making that freaky clicking sound that I keep thinking I hear when it’s too quiet around the house. Curiously Peter isn’t all that focused on in the first half of the story, until about the mid point when THAT SCENE happens and it affects Peter so much that he begins to slowly lose his mind. Then there’s these visual clues, symbols, and red herrings all over the film- everything that happens or is shown seems to have a reason and action behind it, but it does help to keep the audience out of the conversation and thereby cleverly distracting us to keep the intrigue high. It keeps building this ever creepy crescendo of madness until it reaches the boiling point.

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Everything about “Hereditary” was crafted with horror loving hands. The score is effectively distressing and alarming when it needs to be, the way the film is edited is pure unease, and the progression of the characters is downright unnerving. There’s so much more I could discuss, but by doing so I would ruin the fun of the mystery. I highly suggest seeing this film if you enjoy good horror films. I don’t even really care all that much for the genre, but this film got to me. It still wanders into my mind days later and turns lovely afternoons into insidious hours of peeking around corners and occasionally getting scared by the cat.

Final Score: a Dozen creepy cult members