Tag: Benedict Cumberbatch

film

Review: 1917

Posted on by spacecortez

Written by Krysty Wilson-Cairns and Sam Mendes and directed by Mendes, “1917” is a World War One film that follows two young men tasked with an extraordinary order. Lance Corporals Blake (Dean-Charles Chapman) and Schofield (George MacKay) must travel across the German front line and warn the company of men there that they must call off their attack, as it’s actually a deadly trap devised by the Germans threatening the lives of those 1,600 men. As it so happens, one of the men chosen for this treacherous quest, Blake, has an older brother in the company of men that are set to attack the following morning. The perfect motivator to get an urgent message to the right people in time.

What makes this war film work so well is the direct and immersive nature of a simple tale of two soldiers delivering a pertinent message that holds the future of hundreds of lives in the balance. The intimate nature of following these two characters so closely on a mission fraught with danger around every corner is so damn exhilarating and it’s made all the more impressive with veteran cinematographer Roger Deakins behind the camera. The decision to shoot the film as if it was done all in one take was a smart choice that keeps you with these characters through every moment on their journey. We’re brought along with Blake and Schofield as they experience unspeakable horrors, small wonders, quiet beauty, and a surreal grief all driven by a powerful need to carry onward and complete their mission.

I definitely understand how the film has been nominated for so many awards, and in lesser years of Cinematic history- it may have swept the Oscars. It’s a treasure trove of wonders that we cinephiles find ourselves in when looking back at 2019 as a whole. I don’t want to dive too far into the details of this one, as it’s best experienced in the total blackness of a movie theater, but it was one of the more powerful movie-going experiences in recent memory for me. I am so incredibly conflicted with the awards categories, but hell, none of that really matters at the end of the day, we should all be so lucky to have had so many excellent films in one year.

If you, like me, didn’t catch this one right away- I highly suggest seeing it before it leaves the theaters. “1917” is an excellent, moving, and ethereal war film that perfectly captures the human element when concerned with the clashing of nations. This is one of the best war films, in my opinion, to have come out in the last thirty years. Its’ up there with “Saving Private Ryan”, it stands with cinema’s giants.

Final Score: 2 Lance Corporals

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film

Review: Avengers 3 Infinity War

Posted on by spacecortez

*WARNING* This review will be full of spoilers, you have been warned!

Written by Christopher Markus and Stephen McFeely and directed by Anthony and Joe Russo, “Avengers: Infinity War” is the third superhero event film under the Marvel banner and the culmination of ten years of interconnected storytelling across all eighteen previous films. If you’ve been following these Marvel movies and are up to date then you will gleam the most out of the two and a half hour epic that is Infinity War. However if, by some chance, you’re just now considering a Marvel movie marathon and are curious as to which movies are most necessary for this latest Avengers movie, I believe about half of them are required viewing (Iron Man, Captain America: The First Avenger, Captain America: Civil War, The Avengers, Avengers 2: Age of Ultron, Guardians of the Galaxy Vol 1, Dr. Strange, Thor: Ragnarok, and Black Panther). The rest help to build upon the structure, and character development, of the cinematic universe, but that list will get you mostly acquainted with what’s going on.

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So, we’re finally here. After hearing about and seeing several of the infinity stones throughout these films, and with a couple cameos from the mad titan himself, does the film live up to the monumental expectations that Marvel Studios has built? Yes. I can answer that wholeheartedly with a resounding yes. Infinity War is a monumental feat of crossover film-making and it makes the once grandiose events of the first Avengers seem minuscule in comparison. The film follows the wake of destruction left by Thanos and his black order as they seek out the six infinity stones and crisscross the cosmos to implement the will of the mad titan. The opening scene perfectly showcases who Thanos is and why we should be afraid for the fate of our superheroes. After laying waste to Thor and the Asgardian refugees’ ship Thanos quickly bests the Hulk in a fistfight, takes the Tesseract from Loki before killing him, and completely destroys their ship leaving Thor to drift unconsciously through space. Heimdall was able to send the Hulk off to Earth before being murdered by the Black Order and as the incredible hero smashes through Dr. Strange’s staircase in New York City, Bruce Banner comes with a dire warning, “Thanos is coming..”

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Dr. Strange quickly grasps the magnitude of the problem at hand as he grabs Tony Stark from a morning run with Pepper Potts, but it isn’t long before Thanos Black Order arrive to make a power grab for the Time stone in the doctor’s possesion. Spider-Man also gets in the mix and we’re off to the races! The movie moves at break neck speeds jumping across space and back to service all of the various storylines in play but the Russo brothers have outdone themselves with this installment as everything flows naturally with the needs of the story. Now I won’t go beat by beat and describe the whole movie, but instead give a general sense of the scale and the threat that comes with Thanos seeking to wield his infinity gauntlet. Not to mention how the movie cleverly utilized it’s massive cast by breaking the characters off into various factions in different locations to best suit the needs of the story. For example, the Guardians of the Galaxy bump into Thor when responding to their distress signal and then separate into two teams, one consisting of Thor, Rocket, and Groot in order to seek out a “Thanos killing weapon” while the rest head to ‘Knowhere’ from their first movie as it’s the last known location of the reality stone. Iron Man and Spider-Man hitch a ride on the ship that the Black Order arrived in to save Dr. Strange from Ebony Maw on his way to Titan, while Captain America, Falcon, and Black Widow stave off an attack on Vision and the Scarlet Witch thanks to a heads up by Banner and eventually head to Wakanda as a last stand to keep Vision’s Mind stone in his head and not on the gauntlet of Thanos.

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The central theme of the movie is that, when pressed by Thanos and his cosmic conquering, will you trade one life for another? Several characters have this grueling predicament pushed on them, some make choices out of love, others for the fate of the universe, but ultimately they fail when crossing that line. The moral center of the MCU, Steve Rogers (aka Captain America), never falters in his moral code. Several times throughout the movie he reiterates to others that, “We don’t trade lives”. He discards the math of the scenario in giving a life to save millions, nay billions. He saves lives, he doesn’t play that game. That right there, might be the absolute best aspect of this film. All of the characters are true to their nature as established in the previous films. There is a palpable consistency to their actions and reasoning. The Guardians all feel like themselves, still making jokes and acting on impulse. Black Panther and Captain America leap into battle first and have unwavering foundations. Thor feels the most evolved since the ramifications of ‘Ragnarok’ changed the game for his films and overall nature, a kingly warrior burdened with grief, yet still able to convey humor as a fish-out-of-water situation with the Guardians. Consistency paired with well thought out plot-points and a very clever villain, possibly the best the MCU has seen yet, add up to one hell of a Marvel movie.

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With an ending as shocking as it is, I- and many other millions, cannot wait to see how these characters rebound and ultimately save the day. This is most definitely a part one, and with only two other films between now and (the still untitled) Avengers 4 that take place before the events of this movie, we’ll have to wait a year and see how this all unfolds. I cannot praise this movie enough, it was far more emotionally mature and full of dread than I expected. There were significant deaths, high stakes and excellent action, and on top of that the film still managed to be really funny at times. They did it. They really did it. The next challenge is to outdo themselves next year, which I have to say, is a tall order. I have faith in the Russo brothers though, their movies in the MCU have been some of the best entries in the superhero genre as a whole. Now all we have to do… is wait.

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Final Score: Infinite Avengers

THE CAST:
Robert Downey Jr. as Tony Stark/Iron Man

Chris Hemsworth as Thor

Mark Ruffalo as Bruce Banner/Hulk

Chris Evans as Steve Rogers/Captain America

Scarlett Johansson as Natasha Romanoff/Black Widow

Don Cheadle as James Rhodes/War Machine

Benedict Cumberbatch as Doctor Strange

Tom Holland (II) as Peter Parker/Spider-Man

Chadwick Boseman as T’Challa/Black Panther

Zoe Saldana as Gamora

Karen Gillan as Nebula

Tom Hiddleston as Loki

Paul Bettany as Vision

Elizabeth Olsen as Wanda Maximoff/Scarlet Witch

Anthony Mackie as Sam Wilson/Falcon

Sebastian Stan as Bucky Barnes/Winter Soldier

Idris Elba as Heimdall

Danai Gurira as Okoye

Benedict Wong as Wong

Pom Klementieff as Mantis

Dave Bautista as Drax

Vin Diesel as Groot

Bradley Cooper as Rocket

Gwyneth Paltrow as Pepper Potts

Benicio Del Toro as The Collector

Josh Brolin as Thanos

Chris Pratt as Peter Quill/Star-Lord

William Hurt as Secretary of State Thaddeus Ross

Letitia Wright as Shuri

Peter Dinklage as Eitri

Samuel L. Jackson as Nick Fury

Cobie Smulders as Maria Hill

and Ross Marquand as Red Skull

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film

Review: Thor Ragnarok

Posted on by spacecortez

*There are some mild spoilers in this review, but nothing too revealing*

Written by Eric Pearson, Craig Kyle, and Christopher L. Yost and directed by Taika Waititi, “Thor Ragnarok” is the third installment in the “Thor” franchise and easily one of the finest additions to the Marvel Cinematic Universe. Coming hot off the heels of Waititi’s last film “Hunt for the Wilderpeople” Ragnarok retains several actors from the kiwi adventure-comedy. Sam Neill shows up in a play on Asgard portraying Odin in a fun cameo while Waititi’s longtime collaborator Rima Te Wiata plays the role of the Grandmaster’s (Jeff Goldblum) security guard on the trash planet of Sakaar. This is a Thor film that sheds the weight of past films while embracing the greater cosmic scale that earlier films like “Doctor Strange” and “Guardians of the Galaxy” had already accelerated. But how did we get to this place? Let’s rewind a second and take a look at the franchise as a whole.

The first two “Thor” films, while having their fair share of fans and being generally well received, aren’t always near the top of the average moviegoers personal favorites of the MCU thus far. I believe one of the main reasons that’s led to this film being such a drastic departure from Thor’s past films was that Marvel Studios now has the confidence to embrace the more obscure aspects of their material after the successes of “The Guardians of the Galaxy” and it’s sequel. Marvel seems to know the conversation surrounding their brand of movies and taken some criticisms to heart. The studio now seems to embrace the expectations that their logo inspires as they’ve turned the tables on the audience by playing against these expectations. Which only reinforces my opinion that if you’re going to go make a sci-fi fantasy film, just go for it. Be unique, go for the weird and the unknown and see what works and what doesn’t. As it turns out, throwing the incredible Hulk into the far reaches of outer-space to fight aliens in a gladiator arena, while also having Thor attempting to stop the mythical end of Asgard called ‘Ragnarok’, is a pretty damn good idea.

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Since we’re playing in the sandbox of gods and kings, mythology and science fiction, it makes sense to acknowledge just how silly all of this really is. Taika Waititi never discredits the past or tosses around cruel or barbed comedy though- it’s all in good fun and is a refreshing change of pace for the franchise. In fact this year’s three releases from Marvel have been increasingly better at pairing comedy with their films. “Guardians of the Galaxy Vol. 2”, “Spider-man Homecoming”, and this film all deftly weave comedy into their storylines without sacrificing quality or softening the threat of the villains of each story. I think it’s immensely important that neither James Gunn nor Taiki Waititi lost their comedic voices while engaging in the Marvel movie machine, Jon Watts might have also kept his comedic touches intact with the newest iteration of “Spider-Man” but I’m less familiar with his work. Though I’d be remiss not to mention the comedy gold in this film that is Korg, an alien gladiator made of rocks who also happens to be trapped on Sakaar-and portrayed by the director himself. If you’ve seen “Hunt for the Wilderpeople” imagine Ricky Baker as an alien rock gladiator- but with manners, and there you have it.

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So, there are essentially two things that made this film work as well as it did for me, the performances and the visuals. In various films throughout history there have been scene stealing actors or characters that charm us, fill our lungs with laughter, or terrify our very hearts-but this film is loaded those moments. There wasn’t a single character that overshadowed the rest of the cast. Each seemed to have something to contribute to the story or to keep the pace swiftly bouncing along with a joke or an escalation of violence that underlined the characters’ need to keep moving in the right direction. Taika Waititi has said that one of his chief intentions with the property was to make Thor the most interesting character in his own movie. This is something he succeeds in doing by stripping the character down, removing his hammer, forcing a new look upon the character, and dropping him in new environments with an earned confidence. The additions of Doctor Strange and Bruce Banner’s Hulk also have merit as they remain consistent while moving the various characters forward in development. Strange immediately whisks Loki away after the brothers arrive on Earth looking for Odin-a sign that he’s been studying and honing his craft of Sorcerer Supreme since his film’s end. Just as the Hulk has become a fully formed character after staying in his green form for two years while fighting, and winning, battles on Sakaar. New additions to the franchise weren’t ignored or phoned in either as Tessa Thompson’s Valkyrie has a fully formed story arc that builds on Asgard’s past and towards it’s future. Cate Blanchett’s Hela was a fun creation of dangerous and menacing, though while there was some chewing some of the scenery at times, she remained a threat and clearly had fun on the production. Even Karl Urban’s Skurge, mostly a comedic relief character, has a complete arc across the film. Jeff Goldblum’s Grandmaster was a joy to watch though, perfectly becoming an amalgamation of the audience’s perception of Goldblum, a playful nod to his own film past, while also becoming the character as opposed to the character becoming a riff on Goldblum’s own tendencies. Idris Elba also returned as Heimdall, everyone’s favorite all seeing Asgardian. This time around he’s been an outcast of Loki’s rule on Asgard and leads a secret resistance against Hela’s invasion while sporting a costume fit for Aragorn’s Strider from “Fellowship of the Ring”.

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Which brings me to the visuals. Personally, I loved the blending of the science fiction and fantasy locales and vistas of the film. I never thought there would be a day when I would see the Incredible Hulk suplex-ing an undying giant wolf on the rainbow bridge of Asgard. That is something that’s outright amazing to me, and maybe that won’t do it for everyone, but I loved it nontheless. Everything from the barrage of colors on Sakaar to the fiery lava fields of Muspelheim from the opening scene to the vibrant earthy tones of Asgard were a dazzling visual feast. I also really loved the way Valkyrie’s backstory was shot with the Pegasus riding female warriors launching an attack against Hela years prior. It reminded me of the painting scene in Wonder Woman, but with more slow paced action taking place onscreen. Skurge also received this perspective while leaping from a spaceship into a crowd of undead Asgardians and wielding two AK-47s. The film as a whole was a joy to watch from beginning to end. This is the third film of Taika Waititi’s that I’ve seen and I will most assuredly be seeking out all that remains as soon as possible. This film was quite and enjoyable time and I highly recommend it. Though, if you’re not on the Marvel Studios bandwagon by now this one probably won’t sway you.

Final Score: Four Asgardian Gods and a Hulk

 

 

 

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