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What if Martin Scorsese made a Marvel Movie?

Everyone knows Martin Scorsese isn’t the biggest Marvel Movie fan. He sees the cinematic universe more as a theme park ride than as cinema. While I do agree with him to some degree on that factor (hey I’ll be here for that roller coaster all day long if I’m being honest), I do think that putting someone with as powerful a vision and sense of individualism as Scorsese at the helm would help to elevate whichever material he signed on to film. Now, obviously, this will not happen. Never in a million years, he’s got his opinion and that’s 100% okay, the man has earned it. However, it did get me thinking. If there was even the smallest of opportunities to get Martin Scorsese behind the camera of a Marvel Movie, what would it take? Which character/s would inspire or creatively ignite his passion for filmmaking most? For clues as to which Marvel character, team, or comic storyline, that would (or could) gel with the auteur, I re-read the opinion article that he penned for the New York Times after the initial “hubbub” had died down after his comments had stirred the nerd and film critic worlds ablaze. There was a small passage in that article that made me immediately dial in on what might work for him, “For me, for the filmmakers I came to love and respect, for my friends who started making movies around the same time that I did, cinema was about revelation — aesthetic, emotional and spiritual revelation. It was about characters — the complexity of people and their contradictory and sometimes paradoxical natures, the way they can hurt one another and love one another and suddenly come face to face with themselves” (full article linked below). A few things clicked into place for me right away. I cannot think of a Marvel character with a more contradictory and paradoxical nature than Matt Murdock, AKA The Daredevil.

The more I thought about it, the more sense it made. Matt Murdock is an Irish Catholic Blind Lawyer who fights crime in, and outside of, the courtroom. He even has a background in Boxing! If Scorsese wanted to tackle a morally complex character who’s actually concerned with his spirituality, there’s not many other mainstream Marvel characters that even acknowledge Religion and its repercussions. Matt Murdock is also a character that works against himself despite his better judgements all the time. If you wanted to twist the knife with Murdock, you’d only get a better story out of it in my experience with the character and his supporting cast. Scorsese could play around with the Foggy Nelson and Karen Page characters as Murdock’s family. He could use Foggy as an excellent sounding board and morality check for Murdock, and Page is a firebrand journalist that just doesn’t quit. Murdock is consistently caught in-between love interests as well, he’s not always the most moral character- he certainly tries to be, but his failures keep him one of the most “human” superheroes out there. A more realism-centric film would probably line up with Scorsese’s talents and interests. For example, I’d keep the villains of the film centered around the Mob, or the organized crime portion of Daredevil’s rogues gallery.

The Netflix show, with it’s storylines and actors, must be considered in my opinion. I would keep at least four, maybe five, of the leading actors from the Netflix series. Obviously, Charlie Cox should be kept as Murdock, because that’s the best casting since Tom Holland’s Spider-Man or Robert Downey Jr.’s Tony Stark, it’s just excellent and incredibly true to the character. Deborah Ann Woll and Elden Henson should also be retained as Karen Page and Foggy Nelson- their work in the series should be supported and fleshed out, they had some of the best character work of the series as a whole- plus they’re just so darn likeable. There’s also no denying the inescapable fact that Vincent D’Onofrio is the best damn Kingpin we’re going to get, full stop. He has to be at the core of the strings being pulled. That character always gets out of whatever cell he’s thrown into. He just has that much power and pull in the criminal underworld. I know the third season of Daredevil went through this kind of story-arc already, but I’m betting there’s a way to incorporate Wilson Fisk into the story, hell, make him the Mayor of New York City- that could have beautiful repercussions for Holland’s Spider-Man anyways. I’d also consider keeping Wilson Bethel as “Dex” AKA Bullseye. He’s not entirely necessary, but having a real threat as one of the inciting incidents in the film could be fun and a nice nod to the Netflix series’ continuity.

Besides the core cast, it would be interesting to see if Scorsese could get any of his “usual” actors involved. Even if Robert DeNiro was just the Judge in one of the court case scenes, maybe one that Murdock loses in the opening of the film? That would be delightful. Having Leonardo DiCaprio as one of the heads of one of the New York Crime Families within the MCU, called “The Maggia”, also has the potential to be sublime. In fact, I’d lean heavily into the idea of the Kingpin, as Mayor, striking out at “The Maggia”. A full blow gang war with all of the different families could be enough to keep Daredevil on his toes at all times. We also have to acknowledge that Scorsese’s lack of interest with these films is the lack of risk. We need a real sense of mystery, we need ‘genuine emotional danger‘ as he said in his opinion piece. I would highly encourage him to take liberties with the characters and the material. Sure Daredevil may not die in the script, but what if Foggy did? I don’t necessarily want that- but if it’s handled with care and gives us some real stakes, some true desperation for Murdock and company? Then fine, I’m in. Scorsese’s said before that at one point he considered taking on “The Joker”, but that he just didn’t have the time for it. If he could see the potential in that film, then maybe he could see something to do with Daredevil? In reality, I know this will not come to pass, but it’s certainly fun to consider! I just hope now that Marvel Studios has the rights back to Daredevil, that the actors from the series are considered when thinking about the big leagues- they earned it.

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Should George Miller Direct Man of Steel 2, or Justice League Dark?

Hey there movie fans! Sorry for the gap in posts, I was out of state attending a wedding of some very close friends. As time passed however a great many fun conversations among friends spurred the momentum behind the next few posts I’ll be writing over the next week or so.

This post however concerns legendary filmmaker George Miller’s next big budget project through Warner Brothers. Word around the web is that Miller is currently being offered to direct “Man of Steel 2” and/or “Justice League Dark” now that well documented Monster lover Guillermo Del Toro has left the project. Assuming that Miller’s next project isn’t another Mad Max sequel, which should he choose, and why?

The case for Man of Steel 2 

Think back for a second, if you will, to earlier this year when almost out of nowhere this bombastic, full throttle, completely insane car chase movie erupted onto silver screens all across the country! Can you remember the last time you had that much absolute and refined Fun with a capitol F at the theater? Maybe Joss Whedon’s “Avengers”, but that movie had years of anticipation and expectation to live up to. The world had almost forgotten Max Rockastansky, and now everyone knows who the road warrior is again.

Now think back to when you saw Krypton’s last son gracing the silver screen once more. Bleak. Muted colors. Hardly a smile to be seen. Granted, I must admit, I quite enjoyed the film, but it isn’t without it’s faults. Chief among these is the lack of any exuberance and joy. I also believe an argument could be made that Henry Cavill’s Superman isn’t quite the one we all expect and know, nor that he should be. Growth through multiple films is something that Marvel Studios has been experimenting with and I can’t think of any reason why DC’s golden boy can’t experience character moments and plotlines that drive him to eventually become the character we want and need. At the end of Man of Steel I think he is closer to this, but not yet. By the time “Batman VS Superman”s credits roll we will be even closer, hopefully, to that depiction. My point being that beginning in “Man of Steel 2” Clark Kent should be settled into his role and thus be able to tackle the greater challenges that sequels themselves impose.

George Miller’s style and precision should bleed deeply into this property if he so chooses to take it on and I can only foresee greatness coming forth from this pairing. Miller’s visual flair will elevate this iteration into it’s own form. My own particular fascination is with the rumor that the villain will be Brainiac. The potential for such a powerful Superman villain that will only endorse the deep sci-fi undertones established in the first film is overwhelming. “Man of Steel” did well to incorporate this tone and building upon that in the followup will only empower it to transcend the problems of the first while remaining faithful to the core of this new Superman mythos and yet become a tonally different, but critically substantial film. I can’t claim to be able to dream up the perfect Superman sequel to the incredibly divisive origin tale, but I can’t imagine a better director to tackle the misgivings of the first, and become something truly super.

The case for Justice League Dark

Now that monster connoisseur Guillermo Del Toro has left this veritable Monster Squad remake its time to choose who should fill his shoes. With Characters like John Constantine, Deadman, Zatanna, and the Swamp Thing this is a movie that is rich and lush with possibilities. It also something completely and utterly different from Miller’s own “Mad Max” movies, let alone anything else he has made. It might just be the perfect palette cleanser before dropping back into the north African desert to, most assuredly, flip more insanely designed vehicles through the air once more.

What I love about the Justice League Dark comics is that the content is supernatural and mystic in nature, horror themed throughout really, but it never feels like a terrifying tale. The varying abilities of these characters along with their own according sets of sass, charm, and solemnity make these characters mix well because they are so different from each other. This only emboldens dialogue heavy scenes but fear not as the series is constantly mucking through the.. well, muck of the DC universe and it allows for slight cameos to be something of a reminder that Superman, Batman and the Flash also reside in this universe, and that’s a fun advantage to have.

One of the more palpable aspects of this film over Man of Steel’s sequel is that it seems to me that on set locations and practical filmmaking actually benefit this type of film more so than Superman slugging it out with Brainiac. This film needs lived in sets, on location filming, and real practical effects when possible. CGI is important in this day and age, but if you can get the visual feel of the film down without resorting to full blown green screen, then you have earned my money as a filmgoer. Heck I saw The “Avengers 2” twice in theaters, but “Mad Max” had me talking, writing, and generally not shutting up about it ever since I saw it, while Ultron’s musings were entertaining they weren’t as impressive when you know how both films were made. No hard feelings CGI coders, programmers, and math genies, we all appreciate you! George Miller can do “old school” filmmaking and I believe this is needed in this particular film, he can also inject a healthy dose of demon slaying fun right into the vein of this piece.

However, while I cannot think of another director for the Superman sequel, I have to say I would be incredibly intrigued by whatever Sam Raimi could do with this property, the man that made “Evil Dead” surely could have a great time with this. If George Miller chooses Justice League Dark though I will most certainly be checking it out.

So now that the seventy year old madman himself George Miller is back on everyone’s radar I can’t wait to see what he does next! Whether it is Superman’s next solo adventure, a haunted romp with Constantine and pals, or another desert run with the road warrior, I’ll be at the movie theaters, and ecstatic!

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Top Five Directors That Marvel Studios Needs

Now that Marvel Studios’ resident miracle maker Kevin Feige doesn’t have to answer to a creative committee for major upcoming decisions regarding the properties at hand he has the option to court talent and crew like never before. Ike Perlmutter, the reportedly penny pinching CEO has been moved on to the Marvel Television department and Mr. Feige, along with Louis D’Esposito and Victoria Alonso, now answer only to Alan Horn, head of Disney Studios. This is excellent news for the throngs of Marvel Studios fans old and new as it allows the studio to freely fund their creative projects the way they want. This means previously considered “Untouchable” actors and filmmakers are now conceivably on the table. Below I’ve listed the five directors that I believe would most improve the Marvel comics properties and help bring not only their inherent audiences with them, but also new and refreshing perspectives to the anthology of films which is something that is beginning to become more needed as time goes on. Similarly to how Marvel fixed it’s third act issues with Captain America’s first flick I believe this new era of possibilities will only strengthen the stories and execution that come with the territory. Here are my thoughts on who should join the roster.

1 JJ Abrams

While JJ is currently off in a galaxy far far away he will need to make more films after his deep space sandbox days are over. It helps that he’s only committed himself to episode 7 so that he may return to original works, or other creative properties that he would like to immerse himself in. He’s seemingly become a master at jumping into established franchises and making magic out of them, ie Star Trek, Mission Impossible, & (hopefully) Star Wars. So I wouldn’t put it as too far a stretch of the imagination for him to take on a Marvel Comics property. I think, and this one might be a stretch, but hear me out, that Abrams would be an excellent choice for “Thor: Ragnarok”. Abrams has proven that he can be comfortable in the cosmic side of things while this project would offer that up in a fresh and exciting way. Personally I’ve quite enjoyed the “Thor” movies but there could easily be an argument made that out of all the main Avengers (save Hulk) that the Norse God’s trilogy has been the weakest overall. The series needs a shot in the arm for its biggest story yet and Ragnarok is HUGE, it will need a crew and director suited for the trials and tribulations that this story demands. JJ Abrams would be the best creative solution to Thor’s issues in my mind.

2 Christopher Nolan

The man that brought Batman back to life is no stranger to mind bending genre fair and he very well might be the dressing that the “Inhumans” movie will need. With his revered use of practical effects mixed with comprehensive CGI and the ability to pull real character depth out of traditionally ill fated on screen conceptions of villains a la Two Face then I see nothing but potential for this pairing. Nolan might be busy with a trilogy of “Akira” movies for Warner Brothers but if he ever wants to try the other side of the Superhero fence I firmly believe it should be with the fantastical Inhumans.

3 Kathryn Bigelow

There are multiple reasons Kathryn Bigelow would be a fine choice for a number of caped genre fair flicks but there’s really only one character in mind that I think would go hand in hand with her style and substance choices. Captain Marvel. The character is going to be a powerhouse of a force in the MCU and she needs to be handled with care,  remember, she’s the only leading lady in Marvel’s care as of right now. Bigelow’s style and direction would only benefit the subject matter but also the character of Carol Danvers as a person, the director has proven she can take great care in fostering strong female characters. And we can’t forget to mention that Ms Danvers herself comes from a military background, another checked box in Bigelow’s filmography. Bigelow is the obvious choice.

4 Danny Boyle

Danny Boyle is very good at taking a unique perspective and flexing it over odd creative choices. Case in point, “Trainspotting”, “Trance”, and “28 Days Later”, well, 28 days isn’t as weird as it was a new take on the age old Zombie flick that surpassed expectations. This entry is more of a theoretical choice when it comes to the specific film I think he would be best at, but if the MCU heads ever decide to make a “Moonknight” movie, they should remember Danny Boyle. Moonknight is such an unrecognized and underused title when compared to the big four (Avengers) he would be an excellent palette cleanser from what what came before. Marc Spector, the Moon Knight, is a vigilante that brutally delivers justice while receiving instruction on high from the Egyptian god Khonshu.. and he has multiple personalities… and Schizophrenia. So is he really hearing declarations from the God? That’s just part of the fun. There’s no doubt in my mind that Danny Boyle would have an absolute blast making this weird character come alive onscreen, and he should!

5 Steven Spielberg

Even with his recent comments about the Superhero genre eventually going the way of the western, who wouldn’t want the king of movie magic laying his fingerprints over one of the comic giant’s properties? I can think of no better option than Spiderman himself. Arguably the most well known Superhero the world over, Spiderman would the quintessential choice for this legend of filmmaking. Think about it, make Tom Hanks Uncle Ben, allowing for a brief cameo so as not to use up too much of his time and voila! Perfection. Can you think of a better pairing between director and character than this? The character with the most heart getting the director with the most human touch and magical whimsy ever to be involved together? Shoot me now because this is the end all be all of theoretical-but-totally-not-gonna-happen ideas. I can dream though..

Honorable Mentions

Quentin Tarantino

I wish I could say I’d feel comfortable with meshing Tarantino into the Marvel universe but other than the Punisher I see no real possibility for this one. I’m sure he’s do a fantastic revenge thriller for the character, but would the director even want to get involved?

Phil Lord & Christopher Miller

If we can’t get Spielberg then Lord and Miller would be excellent choices for the Spiderman character, maybe for one of his sequels? Their brand of humor and general favorability would mesh wonderfully with the quips and heart surrounding Spidey, which makes all the sense in the world as they are already working on some sort of animated Spiderman film, so I’m clearly not alone in this assumption.

So there you have it, those are the directors that I feel would be the best options for Marvel Studios to pursue in the coming years now that money isn’t as much of an obstacle as it had been. Hopefully we’ll see one of these visionaries take on a Marvel property, I’d love to see what they do with the boundless options this MCU sandbox has afforded us!

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Movies I Love, That People Love to Hate: Constantine

Bring on the hate.

Ok, now that I’ve got that out of the way, let’s get down to business. First of all, admittedly the first time I saw this movie I had never known, heard of, or read about the source material upon which this movie is based. Since then I have read many Constantine comics, and while overall there are major differences in the portrayal of the character, I believe the spirit of Constantine is there, not quite as cockney or blonde as his comic book origins, but nonetheless as the movie stands I quite enjoy it as sort of an alternate universe version of the character.

At least he chain smoked in every scene.

Now then, what I really loved about this film was its visual adoration with framing and cinematography that set up a great many shots as if they were comic books panels, not Ang Lee’s “Hulk” version of comic panels though mind you. The sets were also wonderfully disgusting or decaying in essentially every shot as well. Visually I very much enjoyed this film.

I don’t believe Keanu’s Constantine was a “bad” character or “bad” acting per-se, I quite enjoyed his sourpuss dryness. It seemed to me that Keanu was going for an amalgamation of a gumshoe detective that dabbles in the occult, and I think it worked. This was however the beginning of Shia Labeouf’s movie career, sometimes the kid does alright, and other times not so much. This role didn’t seem to have any real flaws though, especially because he was only in the movie for several scenes. (sorry Labeouf fan club) [if such a thing exists].

I think I have to take the time to admit that I have an affinity for any medium that takes on Christianity and (sorry to the masses here but) makes it interesting. I also love the Spawn comics, and Ghost Rider as well. Dealing with demons and angels and the ever constant war between heaven and hell, good and evil, is great stuff for mortality tales such as the superhero genre. Taking the more mythic elements from Catholicism and taking a dark turn in the content can make for great entertainment in my opinion.

Amid the fanfare of a brewing war between the planes of existence, what really stands out in this movie were certain sequences that were either captivating, eerie, or just damn fun. Who doesn’t remember Keanu looking into the eyes of a cat and being transported to hell? *Shudder* I haven’t stared Mr. Whiskers in the eyes since. Or when that informant goes rogue and a demon curses him by making him perceive all liquids as non existent thus allowing him to drink himself to death when he believed that he wasn’t drinking a drop was kind of maddening. A devilishly creative choice in my opinion. Speaking of which, any time the devil is in play, I get excited. Lucifer is one of my favorite characters, he’s usually charming until you’ve bested him. He often uses his charisma and quick wit to get his way, if portrayed carefully he easily can be the most amusing character on screen. Constantine’s version of the devil worked because he was built up just by the fact that he didn’t even show up until the end, he wasn’t even the actual villain of the story, just the overall greater threat looming on the edge of the story.

So, all in all, I believe this movie gets more crap than it deserves mostly because of the deviations to the portrayal of Keanu’s Constantine. I believe the film has more to offer than base value disappointment, and hell, (pun intended) if you haven’t seen it, it’s worth a watch if this is the sort of thing you enjoy. It’s visually very interesting, full of creative sequences, and honestly just a good time.

Again, hate onward if you must. Try love if you can though, its pretty great.