film

The Great Movie Race of 2022

Hello there! First and foremost, I’m not dead and neither is the blog! Huzzah! Since this has been the longest break in between articles since I started this blog, I figured it was time to address that. This last year I watched more movies in one year than any previous trip around the sun, and that comes with a hefty time commitment on occasion. In the end, it was an informative and fascinating experience, and one that I may continue into the future.

In January of 2022 I joined a group of fellow online screen junkies to see who could watch the most movies in one year. I watched a heck of a lot of movies, but not quite enough to net the top spot. I’m quite happy with the onslaught of film titles that I finally got around to watching because of this though. This is partially the reason I haven’t been writing about films here on the blog as much this year, but also because I often saw a lot of current releases in theaters this year and usually offered to write up reviews for FilmsFatale.com- a great film criticism website that I highly encourage you to check out. I also did a huge project for them in November where I wrote up thirty Noir film reviews, one for each day in Noir November covering the classics through the twentieth century and up to our more recent era of filmmaking to see how Noir has evolved in that time, and how it changed cinema as well. 

Below I will list the 170 times I watched a movie this last year. Most of them were singular viewings of a film that I hadn’t seen before- but there were several films that I saw multiple times over the course of the year. I’ll also post the date I saw the film and the score I gave it out of 10. I don’t usually rate films, but the group I was competing with did, so I decided to follow suit for this. I’ll also post links to all of the articles I’ve written for Films Fatale since my last post here. Here’s to next year’s movies!

1 Don’t Look Up (2021) Date Seen: 1/5/22 Score: 6.8

2 Vertigo (1958) Date Seen: 1/10/22 Score: 8.5

3 The Ghost of Peter Sellers (2018) Date Seen: 1/13/22 Score: 6.5

4 Rodan (1956) Date Seen: 1/15/22 Score: 7.5

5 Pickpocket (1959) Date Seen: 1/16/22 Score: 6

6 5 Card Stud (1968) Date Seen: 1/16/22 Score: 8

7 Copshop (2021) Date Seen: 1/17/22 Score: 8

8 Mysterious Object at Noon (2000) Date Seen: 1/17/22 Score: 6

9 No Way Out (1950) Date Seen: 1/19/22 Score: 8

10 King of New York (1990) Date Seen: 1/20/22 Score: 7.8

11 The Hateful Eight (2015) Date Seen: 1/21/22 Score: 9.5

12 Topaz (1969) Date Seen: 1/23/22 Score: 7.8

13 Branded to Kill (1967) Date Seen: 1/24/22 Score: 7

14 Mr. Arkadin (Comprehensive version) (1955) Date Seen: 1/26/22 Score: 7.5

15 Lady Snowblood (1973) Date Seen: 1/26/22 Score: 8.5

16 Justice League Dark (2017) Date Seen: 1/27/22 Score: 7

17 Lady Snowblood: Love Song of Vengeance (1974) Date Seen: 1/27/22 Score: 7.5

18 Killing Gunther (2017) Date Seen: 1/28/22 Score: 5

19 Darkman (1990) Date Seen: 1/28/22 Score: 8.3

20 Aquaman (2018) Date Seen: 1/29/22 Score: 7.8

21 The Grandmaster (2013) Date Seen: 1/31/22 Score: 8

22 The Gentlemen (2019) Date Seen: 2/1/22 Score: 7.5

23 1917 (2019) Date Seen: 2/2/22 Score: 8.5

24 Jackass Forever (2022) Date Seen: 2/4/22 Score: 7

25 In The Mood For Love (2000) Date Seen: 2/6/22 Score: 8.5

26 Cosmic Sin (2021) Date Seen: 2/7/22 Score: 1

27 Nightmare Alley (2021) Date Seen: 2/7/22 Score: 8.5

28 Tokyo-Ga (1985) Date Seen: 2/9/22 Score: 7.5

29 Zatoichi’s Flashing Sword (1964) Date Seen: 2/11/22 Score: 8.8

30 Pierrot le Fou (1965) Date Seen: 2/15/22 Score: 8

31 Persona (1966) Date Seen: 2/15/22 Score: 8.5

32 High and Low (1963) Date Seen: 2/17/22 Score: 10

33 Vagabond (1985) Date Seen: 2/17/22 Score: 8.5

34 Lone Wolf and Cub: Baby Cart at the River Styx (1972) Date Seen: 2/18/22 Score: 9.5

35 Lone Wolf and Cub: Baby Cart to Hades (1972) Date Seen: 2/18/22 Score: 9.5

36 Jules and Jim (1962) Date Seen: 2/19/22 Score: 7

37 Light Sleeper (1992) Date Seen: 2/19/22 Score: 6.8

38 Odds Against Tomorrow (1959) Date Seen: 2/19/22 Score: 8

39 Uncharted (2022) Date Seen: 2/23/22 Score: 6.5

40 The Batman (2022) Date Seen: 3/4/22 Score: 9

41 The Batman (2022) Date Seen: 3/16/22 Score: 9

42 Drive My Car (2022) Date Seen: 3/19/22 Score: 9

43 Tango & Cash (1989) Date Seen: 3/25/22 Score: 7

44 RRR (Rise Roar Revolt) (2022) Date Seen: 3/30/22 Score: 9

45 Ambulance (2022) Date Seen: 4/8/22 Score: 8

46 Everything Everywhere All At Once (2022) Date Seen: 4/9/22 Score: 9

47 Sonic The Hedgehog 2 (2022) Date Seen: 4/10/22 Score: 7.5

48 RRR (Rise Roar Revolt) (2022) Date Seen: 4/12/22 Score: 9 *2nd watch

49 Gamera vs Guiron (1969) Date Seen: 4/16/22 Score: 7

50 The Unbearable Weight of Massive Talent (2022) Date Seen: 4/22/22 Score: 7.5

51 The Northman (2022) Date Seen: 4/22/22 Score: 8.5

52 Kingsman: The Golden Circle (2017) Date Seen: 4/25/22 Score: 7

53 Death on The Nile (2022) Date Seen: 4/28/22 Score: 6.5

54 Rebirth of Mothra (1996) Date Seen: 4/30/22 Score: 7

55 Spider-Man No Way Home (2021) Date Seen: 5/2/22 Score: 8.5

56 Doctor Strange in The Multiverse of Madness (2022) Date Seen: 5/6/22 Score: 8

57 Doctor Strange in The Multiverse of Madness (2022) Date Seen: 5/6/22 Score: 7.8

58 Jackass Forever (2022) Date Seen: 5/9/22 Score: 7 *2nd watch

59 The Last Duel (2021) Date Seen: 5/10/22 Score: 8.5

60 The Quick and The Dead (1995) Date Seen: 5/10/22 Score: 8.5

61 The Sea Wolf (1941) Date Seen: 5/12/22 Score: 7.5

62 Grand Illusion (1937) Date Seen: 5/12/22 Score: 8.1

63 The Parallax View (1974) Date Seen: 5/12/22 Score: 7.1

64 Rebirth of Mothra 2 (1997) Date Seen: 5/12/22 Score: 5.2

65 Safety Last! (1923) Date Seen: 5/14/22 Score: 9

66 The Hunt for Red October (1990) Date Seen: 5/15/22 Score: 8

67 Pirates of The Caribbean Dead Men Tell No Tales (2017) Date Seen: 5/15/22 Score: 6

68 Cruel Gun Story (1964) Date Seen: 5/15/22 Score: 7.5

69 Ape (2012) Date Seen: 5/16/22 Score: 2

70 The Wailing (2016) Date Seen: 5/16/22 Score: 8.5

71 The Paper Tigers (2020) Date Seen: 5/17/22 Score: 8

72 Rebirth of Mothra 3 (1998) Date Seen: 5/18/22 Score: 7.5

73 Paper Flowers (1959) Date Seen: 5/21/22 Score: 9.5

74 City Hunter (1993) Date Seen: 5/22/22 Score: 7.8

75 Jackass: The Movie (2002) Date Seen: 5/24/22 Score: 7.5

76 Top Gun: Maverick (2022) Date Seen: 5/27/22 Score: 9

77 The Bob’s Burgers Movie (2022) Date Seen: 5/27/22 Score: 8.5

78 Top Gun: Maverick (2022) Date Seen: 5/28/22 Score: 9

79 Baby Driver (2017) Date Seen: 6/5/22 Score: 8.5

80 Bill & Ted’s Bogus Journey (1991) Date Seen: 6/5/22 Score: 7.8

81 Double Indemnity (1944) Date Seen: 6/9/22 Score: 9

82 Jurassic World Dominion (2022) Date Seen: 6/10/22 Score: 3

83 Mad God (2022) Date Seen: 6/22/22 Score: 4

84 One Armed Boxer (1971) Date Seen: 6/22/22 Score: 7.8

85 Elvis (2022) Date Seen: 6/25/22 Score: 8

86 The Black Phone (2022) Date Seen: 6/25/22 Score: 8.5

87 Detour (1945) Date Seen: 7/2/22 Score: 7

88 RRR (Rise Roar Revolt) (2022) Date Seen: 7/3/22 Score: 9  *3rd watch

89 Jaws (1975) Date Seen: 7/4/22 Score: 10

90 Chan is Missing (1982) Date Seen: 7/6/22 Score: 8

91 Thor Love and Thunder (2022) Date Seen: 7/8/22 Score: 7.5

92 In search of Guru Dutt (1989) Date Seen: 7/11/22 Score: 7.8

93 Brick (2005) Date Seen: 7/14/22 Score: 8.3

94 The Poseidon Adventure (1972) Date Seen: 7/16/22 Score: 9

95 High Sierra (1941) Date Seen: 7/18/22 Score: 7.5

96 Nope (2022) Date Seen: 7/21/22 Score: 8.9

97 The King’s Man (2021) Date Seen: 7/22/22 Score: 7.5

98 Breaking Surface (2020) Date Seen: 7/27/22 Score: 7.8

99 Kurt Vonnegut: Unstuck in Time (2021) Date Seen: 7/28/22 Score: 9

100 The Professor and The Madman (2019) Date Seen: 7/28/22 Score: 7.5

101 Operation Curveball (2020) Date Seen: 7/28/22 Score: 8.5

102 The Hidden Life of Trees (2020) Date Seen: 7/29/22 Score: 8

103 Bo Burnham: Inside (2021) Date Seen: 7/29/22 Score: 8.3

104 Alien (1979) Date Seen: 7/29/22 Score: 9.3 

105 Stray (2020) Date Seen: 7/30/22 Score: 7.9

106 Bullet Train (2022) Date Seen: 8/4/22 Score: 7.8

107 Prey (2022) Date Seen: 8/9/22 Score: 7.9

108 The Roundup (2022) Date Seen: 8/10/22 Score: 8.3

109 Fall (2022) Date Seen: 8/12/22 Score: 6.8

110 RRR (Rise Roar Revolt) (2022) Date Seen: 8/12/22 Score: 9  *4th watch

111 Devil in a Blue Dress (1995) Date Seen: 8/14/22 Score: 8.3

112 Chip ‘n Dale: Rescue Rangers (2022) Date Seen: 8/15/22 Score: 7

113 Five Graves to Cairo (1943) Date Seen: 8/16/22 Score: 6.8

114 Easter Sunday (2022) Date Seen: 8/19/22 Score: 6

115 The Gray Man (2022) Date Seen: 8/20/22 Score: 7.2

116 Police Story 2 (1988) Date Seen: 8/21/22 Score: 9

117 Viridiana (1961) Date Seen: 8/23/22 Score: 6.8

118 Midnight Run (1988) Date Seen: 8/23/22 Score: 8

119 Beast (2022) Date Seen: 8/24/22 Score: 6.5

120 Wood and Water (2021) Date Seen: 8/24/22 Score: 5

121 Three Thousand Years of Longing (2022) Date Seen: 8/25/22 Score: 7.5

122 Godzilla vs. Kong (2021) Date Seen: 8/26/22 Score: 9

123 Django Unchained (2012) Date Seen: 8/28/22 Score: 9.5

124 Escape from L.A. (1996) Date Seen: 8/28/22 Score: 8.5

125 Dragon Ball Super: Super Hero (2022) Date Seen: 8/31/22 Score: 8.5

126 The Big Sleep (1946) Date Seen: 9/5/22 Score: 8.8

127 The Man Who Wasn’t There (2001) Date Seen: 9/6/22 Score: 8.5

128 The Good The Bad & The Ugly (1966) Date Seen: 9/7/22 Score: 10

129 Body Double (1984) Date Seen: 9/8/22 Score: 6.5

130 Weekend (1967) Date Seen: 9/13/22 Score: 6

131 007 Spectre (2015) Date Seen: 9/15/22 Score: 8

132 007 No Time to Die (2021) Date Seen: 9/15/22 Score: 9

133 Clerks 3 (2022) Date Seen: 9/16/22 Score: 8.8

134 Out of The Past (1947) Date Seen: 9/19/22 Score: 7.8

135 Strangers on a Train (1951) Date Seen: 9/20/22 Score: 8

136 Ghostbusters (1984) Date Seen: 9/22/22 Score: 10

137 Miller’s Crossing (1990) Date Seen: 9/25/22 Score: 7.7

138 Notorious (1946) Date Seen: 9/26/22 Score: 8.8

139 Sunset Blvd (1950) Date Seen: 9/27/22 Score: 8.5

140 The Munsters (2022) Date Seen: 9/28/22 Score: 5

141 Pineapple Express (2008) Date Seen: 9/30/22 Score: 9

142 Young Frankenstein (1974) Date Seen: 10/3/22 Score: 7.8

143 Blade Runner (1982) Date Seen: 10/5/22 Score: 9.5

144 Halloween (2018) Date Seen: 10/12/22 Score: 7.9

145 Halloween Kills (2021) Date Seen: 10/13/22 Score: 7.7

146 Halloween Ends (2022) Date Seen: 10/15/22 Score: 7.8

147 Yojimbo (1961) Date Seen: 10/17/22 Score: 9.8

148 Black Adam (2022) Date Seen: 10/22/22 Score: 7

149 Werewolf by Night (2022) Date Seen: 10/31/22 Score: 8.3

150 Black Panther 2 Wakanda Forever (2022) Date Seen: 11/11/22 Score: 8.4

151 Weird: The Al Yankovic Story (2022) Date Seen: 11/13/22 Score: 8

152 Infernal Affairs (2002) Date Seen: 11/15/22 Score: 9

153 Infernal Affairs 2 (2003) Date Seen: 11/16/22 Score: 8.8

154 Zatoichi Meets Yojimbo (1970) Date Seen: 11/18/22 Score: 9

155 Infernal Affairs 3 (2003) Date Seen: 11/19/22 Score: 8.7

156 The Menu (2022) Date Seen: 11/23/22 Score: 9

157 Glass Onion: A Knives Out Mystery (2022) Date Seen: 11/28/22 Score: 9

158 The Bob’s Burgers Movie (2022) Date Seen: 12/2/22 Score: 8.5 *2nd watch 

159 Violent Night (2022) Date Seen: 12/3/22 Score: 8

160 Gamera: Guardian of The Universe (1995) Date Seen: 12/4/22 Score: 7.8

161 Gamera 2: Attack of Legion (1996) Date Seen: 12/4/22 Score: 8.5

162 Gamera 3: Revenge of Iris (1999) Date Seen: 12/4/22 Score: 7.5

163 The Guardians of The Galaxy Holiday Special (2022) Date Seen: 12/6/22 Score: 8.8

164 History of The Word: Part I (1981) Date Seen: 12/12/22 Score: 6.8

165 Avatar: The Way of Water (2022) Date Seen: 12/16/22 Score: 8

166 The Banshees of Inisherin (2022) Date Seen: 12/21/22 Score: 9

167 The Fabelmans (2022) Date Seen: 12/21/22 Score: 8.8

168 Triangle of Sadness (2022) Date Seen: 12/22/22 Score: 9

169 Bardo: False Chronicle of a Handful of Truths (2022) Date Seen: 12/27/22 Score: 6.8

170 Batman vs Teenage Mutant Ninja Turtles (2019) Date Seen: 12/29/22 Score: 7.7

Here’s the links to all of the articles I wrote over at Films Fatale in 2022 since last updating the blog:

https://www.filmsfatale.com/blog/2022/6/30/the-black-phone

https://www.filmsfatale.com/blog/2022/7/1/elvis

https://www.filmsfatale.com/blog/2022/7/14/thor-love-and-thunder

https://www.filmsfatale.com/blog/2022/7/25/nope

https://www.filmsfatale.com/blog/2022/8/11/traverse-city-film-festival-2022-the-return

https://www.filmsfatale.com/blog/2022/8/8/bullet-train

https://www.filmsfatale.com/blog/2022/9/21/clerks-iii

https://www.filmsfatale.com/blog/2022/10/20/halloween-ends

https://www.filmsfatale.com/blog/2022/9/22/what-if-david-lynch-directed-a-batman-movie

https://www.filmsfatale.com/blog/2022/11/1/noir-november-the-maltese-falcon

https://www.filmsfatale.com/blog/2022/11/2/noir-november-high-sierra

https://www.filmsfatale.com/blog/2022/11/3/noir-november-casablanca

https://www.filmsfatale.com/blog/2022/11/4/noir-november-double-indemnity

https://www.filmsfatale.com/blog/2022/11/5/noir-november-detour

https://www.filmsfatale.com/blog/2022/11/6/noir-november-notorious

https://www.filmsfatale.com/blog/2022/11/7/noir-november-the-big-sleep

https://www.filmsfatale.com/blog/2022/11/8/noir-november-out-of-the-past

https://www.filmsfatale.com/blog/2022/11/9/noir-november-the-naked-city

https://www.filmsfatale.com/blog/2022/11/10/noir-november-the-third-man

https://www.filmsfatale.com/blog/2022/11/11/noir-november-the-asphalt-jungle

https://www.filmsfatale.com/blog/2022/11/12/noir-november-sunset-boulevard

https://www.filmsfatale.com/blog/2022/11/13/noir-november-in-a-lonely-place

https://www.filmsfatale.com/blog/2022/11/14/noir-november-strangers-on-a-train

https://www.filmsfatale.com/blog/2022/11/15/noir-november-the-killing

https://www.filmsfatale.com/blog/2022/11/16/noir-november-touch-of-evil

https://www.filmsfatale.com/blog/2022/11/17/noir-november-shoot-the-piano-player

https://www.filmsfatale.com/blog/2022/11/18/noir-november-le-doulos

https://www.filmsfatale.com/blog/2022/11/19/noir-november-le-deuxime-souffle

https://www.filmsfatale.com/blog/2022/11/20/noir-november-tokyo-drifter

https://www.filmsfatale.com/blog/2022/11/21/noir-november-le-cercle-rouge

https://www.filmsfatale.com/blog/2022/11/22/noir-november-chinatown

https://www.filmsfatale.com/blog/2022/11/23/noir-november-chan-is-missing

https://www.filmsfatale.com/blog/2022/11/24/noir-november-blade-runner

https://www.filmsfatale.com/blog/2022/11/25/noir-november-millers-crossing

https://www.filmsfatale.com/blog/2022/11/26/noir-november-devil-in-a-blue-dress

https://www.filmsfatale.com/blog/2022/11/27/noir-november-the-man-who-wasnt-there

https://www.filmsfatale.com/blog/2022/11/28/noir-november-kiss-kiss-bang-bang

https://www.filmsfatale.com/blog/2022/11/29/noir-november-brick

https://www.filmsfatale.com/blog/2022/11/30/noir-november-blade-runner-2049

https://www.filmsfatale.com/blog/2022/12/9/violent-night

film

Rapid Fire Reviews #23 Lost in the Shuffle

Recently after exiting a local movie theater I was scouring my wallet, looking past all the ticket stubs that have landed there in the last few months, and I realized there were a couple of films that I had seen- but not written about. So, here we are. Ironically, the film that reignited my need to write again was “Drive My Car”, a film I had to drive about forty-five minutes to get to as the showings in my area were slim to none. Since that one was so powerful in its storytelling, it made the other lackluster films more palatable to write about as a group piece than stand alone reviews. In my defense the other two films aren’t exactly Bad per se, it’s just that I initially didn’t feel compelled enough to immediately write about them.

Drive My Car

Written by Takamasa Oe and Ryûsuke Hamaguchi and directed by Hamaguchi, “Drive My Car” is a long form drama adapted from a series of short stories by Haruki Murakami. Some audiences may groan about films with invariably long runtimes (This one is about an even three hours), anything over two and a half hours usually gets this treatment, but especially if it’s a slow-burn. However, this film is a near perfect example of the depth of characterization that can be achieved through long form dramas. Throughout this film I was having flashbacks of Yasujiro Ozu’s great films. While most of Ozu’s films never got longer than little over two hours, with the occasionally rare film nearing two hours and forty minutes, “Drive My Car” feels poised to maximize all of it’s emotional weight through devastating reveals late in the game with characters directly telling stories to others. Ozu’s films had similar levels of emotional intelligence and weight to them, but here, in today’s world, it feels as though the filmmakers had to cut through all of our modern societal expectations to get to the core of the story. So, what is the story actually about? It’s mainly concerned with Yûsuke Kafuku (Hidetoshi Nishijima) an actor/director in theatre who accepts a two month residency in Hiroshima as he presides over the production of Anton Chekhov’s “Uncle Vanya”- and Misaki Watari (Tôko Miura) his assigned driver during that residency. There are a LOT of small beautiful moments set against broader and more meaningful evolutions, but I don’t think I’ve ever seen a film so invested in language, silence, communication between people, and the theatre done in such a moving way. I really don’t want to dive too far into the details of the story, but patience will be rewarded if you’re paying attention. This one is incredible, and I highly recommend it.

Ghostbusters: Afterlife

Written by Gil Kenan and Jason Reitman, and directed by Reitman (son of director Ivan Reitman), “Ghostbusters: Afterlife” is a mostly genial nostalgia-fest that has it’s fair share of hits and misses throughout the runtime. First, and foremost, I did mostly enjoy my time with this movie, so please take these criticisms with the knowledge that I’m not just some dude in a basement raging about The Ghostbusters with undue spite. In fact, the first half of the movie feels more like an indie drama on the film fest circuit than it does a sequel to one of the biggest blockbuster franchises from the 1980’s. The story follows the adult daughter of Egon Spengler (Harold Ramis), Callie (Carrie Coon), who moves out to the farm that Egon left her after his untimely death with her two kids Phoebe (Mckenna Grace) and Trevor (Finn Wolfhard). While there the awkward teens encounter new friends, new secrets about their family’s past, and Trevor even gets to drive the Ecto-1 in a fun scene later in the film. Phoebe is the star of the film in every regard though. She’s the only one that feels related to Egon, she’s smart, horrible with jokes- which in itself turns into a joke, and she’s the scene stealer that every other actor should be on the lookout for. Seriously, that kid has a good future in acting if she sticks with it and continues to prove herself with more challenging roles. Finn Wolfhard on the other hand, he got the short end of the stick with the role of Trevor. This character essentially serves no narrative purpose, and he doesn’t actually do much of anything in the film either. That scene when he drives Ecto-1 around the small rural town with Phoebe firing off the Proton Pack- that’s the best scene in the film, and pretty much the only time Trevor gets to really be a part of the movie in any meaningful way. He’s here because his character, Mike, in “Stranger Things” wore a Ghostbusters costume on a Halloween episode. Which brings me to the second half of the film. Now, this is all leagues better than the 2016 “Ghostbusters” film in my opinion, but “Afterlife” feels hamstringed by the need to return to form after 2016- but in doing so it misses out on being it’s own film, it never truly innovates. It does try to do it’s own thing on occasion, but the third act goes overboard on the Nostalgia factor. Surprise, Gozer is back! Who ends up being caught by a bunch of ghost traps instead of anything different, because Hey, that’s a thing I know! There are also just plain inconsistencies with the older characters too. There’s a couple of moments that tried to paint Egon as someone “who just lost it“- with the eventual inclusion of Ray, Venkman, and Winston at the tail end of the film, Ray reveals that he’d had an argument with Egon and didn’t believe his warnings about the return of Gozer etc. That makes… zero sense. Why would Ray not believe Egon? Nothing in the other films suggests this as a logical evolution of either character. I must also take the moment to mention how awkward and creepy the ghostly re-animated Harold Ramis felt. It was too much. They could have had it all if they just kept his ghostly arm in that first shot where he helps Phoebe aim her proton pack- if they had just restrained themselves a bit, it would have been a more powerful scene. In the end, “Ghostbusters: Afterlife” fails to live up to the first two films, but does a decent enough job of returning the franchise back closer to home. Though there’s Paul Rudd, and that always makes the member-berries easier to forget. Moderately recommended.

House of Gucci

Written by Roberto Bentivegna and Becky Johnston, adapted from the book of the same name by Sara Gay Forden, and directed by Ridley Scott, “House of Gucci” follows the Gucci family through several decades of their decadent lives. Though I distinctively prefer “The Last Duel” as Ridley Scott’s best film of last year, this one certainly has it’s merits. As far as true life crime stories go, this one has the stars, the production value, and the score to best serve this Italian tale. Broadly, the film follows Patrizia Reggiani (Lady Gaga) as she enters the world of high dollar international fashion design through the infamous Gucci brand name. Gucci was one of the last major family owned businesses in Fashion, and Patrizia wanted in. The story also equally covers Maurizio Gucci’s (Adam Driver) rise to power within the family business which he begrudgingly accepts due to Patrizia’s insistence. The two patriarchs of the Gucci family are Aldo Gucci (Al Pacino) and Rodolfo Gucci (Jeremy Irons), Maurizio’s father. Aldo’s son Paolo Gucci (Jared Leto) also plays a part in the fashion game, though his inclusion comes in the second half of the film. The best part of this film are the performances with one glaring inconsistency. The four major players in the story portrayed by Lady Gaga, Adam Driver, Jeremy Irons, and Al Pacino are all fantastic and worthy of awards nominations- but not Jared Leto as Paolo Gucci. His entire performance is basically a joke (the truly magnificent prosthetic make-up made to transform Jared Leto into Paolo notwithstanding). His Italian stereotyping with his vocal choices is entirely bizarre and frankly I’m amazed Jeremy Irons didn’t slap Jared Leto in the face when acting those scenes with him on the principle of diluting the art of acting with nonsense like that. Though- admittedly, I laughed at Paolo and his ineptitude throughout the film. Frankly, I didn’t write about this one back when I saw it in theaters because I found the film to be… fine. Not entirely bad, but nothing spectacular either. It felt a little rote and a bit predictable. Though there is art on the screen, and the performances are worth seeing. Moderately recommended.