film

Review Catch-Up: Fast and Furious presents, Hobbs and Shaw

Written by Chris Morgan and Drew Pearce and directed by David Leitch, “Hobbs and Shaw” is an action film spinoff from the Fast and Furious films chronicling the over-the-top antics of the Fast franchise’s two most memorable antagonists. Forced to work together to save the world from a MacGuffin that could inexplicably kill us all, Hobbs (Dwayne Johnson) and Shaw (Jason Statham) must put their differences aside to track down the deadly super-soldier Brixton (Idris Elba) and stop him from implementing this nefarious plan. Once the duo are on the hunt they run into Shaw’s sister Hattie (Vanessa Kirby), an MI6 agent on the trail of the very same viral MacGuffin and ends up injecting it in her own body to get away with the super-weapon. As you might expect, the movie is a loud, dumb, and highly entertaining series of action set-pieces with some vehicular mayhem thrown in for good measure.

Dwayne Johnson and Jason Statham are the reason to see this movie. Period. Their charisma, banter, and one-liners are pitch perfect and thoroughly entertaining throughout the whole runtime, no matter how massively stupid the plot or action sequences get (and trust me, they get VERY stupid). Vanessa Kirby was a pleasantly surprising addition to the cast offering, providing some solid action performing and that touch of heart you may need to remind you that you’re still human while watching this one. Though, admittedly, Hobbs’ scenes with his daughter (Eliana Sua) are damn cute, if fleeting. Charisma and Machismo are the fuel for this movie and everybody knows that, which is why I was overjoyed that Idris Elba let his performance as Brixton go so far over the top that it seemed appropriately cartoonish at times. Which is apt- this movie is an adult cartoon essentially, these super spies and international security agents are not men- but super heroes in suits and leather jackets. At least the movie is evidently self aware of it’s own absurdity- which forgives a LOT of it’s flaws and faults, for me anyways.

While the paper-thin (what are they doing again?) plot to save the world from imminent destruction may not be the most engaging, that’s not why anyone came to see this movie- at least it shouldn’t be. It’s all about the spectacle, set-pieces, and humor. If you enjoyed the older, but equally absurd, action movies of the 1980’s like “Commando”, “Rambo: First Blood Part 2”, “Robocop”, or “Top Gun” then you’ll likely get a kick out of this one. However, I must note that even a few of those movies I referenced have plotlines that are smarter than this one. There’s also a few fun surprise cameos that I won’t ruin for you, but they were delightful and perfect additions to this series.

The final act is a a complete mess when it comes to any kind of continuity. The final fight in Samoa has sequences of abject darkness in the early morning, to a raging storm, or a sunny day depending on the emotion they’re trying to convey for the shot. I have to say it’s absolutely ridiculous, but by this point they’ve earned the complete disregard of all reality. Whatever, I have no expectations of logic or physics at this point in the film series, I just want to be entertained with this completely fun and dumb guilty pleasure. While this film resides within the larger framework of “The Fast and Furious” world, I wouldn’t be surprised if this pairing became a franchise itself- I’d certainly go see a few more outings with these two powerhouse stars. There’s even rumors that Keanu Reeves may join a sequel if one musters up enough interest, and to that possibility I say, bring it on.

Final Score: 1,000 punches and 1 fist bump

film

Review: God’s Pocket

Written by Alex Metcalf and John Slattery, and directed by Slattery (best known for his performances as Howard Stark of the Marvel Cinematic Universe after Dominic Cooper’s ww2 era take on the character) “God’s Pocket” is an adaption of the novel of the same title by Pete Dexter in 1983. “God’s Pocket” is one of Philip Seymour Hoffman’s final performances as he plays the lead, Mickey Scarpato, and while the film as a whole is a middling affair in low level gangster dramas in 1970’s Philadelphia- his performance is what ultimately makes the film worth a watch.

I don’t want to sour on the film’s other aspects though, there a few solid aspects to take note of here, it’s just that the story that pulls everything together isn’t as engaging or immersive as others in the genre. The film is really just a good exercise in acting and performance as the production is filled with skilled actors like Eddie Marsan, Christina Hendricks, Richard Jenkins, and a serious character role from John Turturro as well. The direction handled by Slattery is generally impressive for a first time director as well, he has a good eye for framing and putting the actors on display, which is saying something for how grimy and dimly lit the world they inhabit happens to be.

The plot at the core of this story follows Leon, Mickey Scarpato’s step-son, who is killed after berating an older black man to the point that he cracked Leon over the head with a lead pipe. The fellow construction workers that witnessed the act stand up for the elderly black man when questioned by the police and cover up the act by citing a falling piece of machinery. Somehow word gets out that there may have been suspicious acts surrounding Leon’s death and from there we witness several converging storylines. Leon was a scoundrel of a young man that did nothing to earn any respect or sympathy with the audience so that while he is quickly dispatched after showcasing his boisterous and proud belligerent nature, the characters may mourn his loss, but we have nothing to connect with. We can see how a death effects a community, but afterwards the film solely exists to see just how bad things can get for ole Mick as he tries to stay above water in financing his stepson’s funeral and keeping a well known local columnist from digging into his life, but sometimes it feels like, why should we care? Thankfully we have the acting efforts of the cast to fall back on and inform us of the atmosphere of the lives they lead. Philip Seymour Hoffman shines here just as he does in everything else. At one moment Mick can seem at his exhausted end with frustration boiling over into a melancholy sadness that lies behind his eyes, but he can react to other character’s influences quickly and go from threatening to empathetic in one quick motion.

“God’s Pocket” may not be the gangster drama you were looking for, but it’s unique contents of absurdism and melancholy make it worth a watch. Philip Seymour Hoffman and the rest of the cast earn what the story lacked. That, along with some solid direction from John Slattery, is enough for me to give this film a recommendation. Just don’t go into this one seeking something a little more Goodfellas.

Final Score: 18 screwdrivers and 1 lousy corpse

film

Movie Pitch: Adaption of “Endurance” Ernest Shackleton’s fated Antarctic voyage

Recently I finished the book “Endurance: Shackleton’s Incredible voyage” and ever since I’ve been obsessed with what a film adaption of this tale would look like. Below I’ve assembled a cast and crew that would create a unique and vibrant adaption of this actual voyage. This is the story of Ernest Shackleton and his attempt to organize a crew, and a ship, to travel to the southern pole and become the first to traverse the Antarctic continent from sea to sea as his previous journey south ended with him being beaten to the south pole by the Norwegian explorer Roald Amundsen. This attempt would also go awry, as fate would have it, the crew of the endurance would never make it to the Antarctic coast. At about a day’s journey from their destination the Endurance became trapped in floating pack ice in the Weddell sea.

For months the crew of the Endurance stayed on ship hoping for the ice-floe to give, but its grip only tightened further until they had to abandon ship before the ice crushed the Endurance. Thus the crew camped out on the floe, surviving blizzards, sea life, starvation, and boredom until it broke up and they could make a break for land. It was a grueling journey with flares of mutiny, dog sledding races, soccer matches, theatre shows and musical entertainment by way of banjo. That doesn’t even cover the second half of the journey, which consisted of Shackleton and several crew members sailing in a twenty foot lifeboat across 800 miles (roughly) of raging seas in some of the most dangerous waters on the planet. The true story is thrilling, harrowing, and full of the extent to which humanity can struggle and fight just to live another day.

I haven’t, however, casted for the entire crew of the endurance. The Endurance’s crew consisted of 28 members including Shackleton, but I have tried to cast for the majority of crew members that have some sort of standout personality or that have moments over the course of their journey that play into a compelling narrative better. I’m sure there are regulars in the film casting world that would be capable of such scale and lengthy film shoots. I honestly see this as being a very long film because of the nature of the story, as a lot of it is the crew lying in wait on the floe, and later waiting on Elephant island, but it is sparsed with more intense times throughout. What has to be considered here is the essential world building, and the immersion of the story, as it is in the world of 1914, during World War One. I’d suggest longer takes and shots, lingering on thought and expression at times. Look at “The Hateful Eight” (Ironically this is a film I initially did not enjoy but have come to find it to be more of a masterpiece in some regards) and how patience in camera work made for better and more intuitive character moments, it also helped to set the mood for the narrative.

Director: Alejandro González Iñárritu

Iñárritu proved incredible skill as a director in both “Birdman” and “The Revenant” winning two Best Director oscars for both, two years in a row, with “Birdman” receiving Best Original Screenplay and Best Picture as well. Shackleton’s story does share similar themes that “The Revenant” also tackled, ‘Man versus Nature’ and the grit to go through extreme hardships, but the Fate of the Endurance and her crew is a bit different. There is no revenge here, just man tempting the fates of nature and getting a horrid hand of cards dealt their way, but striving nonetheless. It is about the neccesary implementation of optimism and hope, even in the darkest of times. Alejandro Iñárritu has done groundbreaking things with his cinematopgraphy choices in both “The Revenant” and “Birdman” and I believe he could do wonders with this material.

Writers: Steven Zaillian and the Coen brothers

Steven Zaillian was one of the main screenwriters on “Gangs of New York”, which is in my opinion one of the very best films set within a historical context. That film is grounded and has a good sense about the world that it has to efficiently emulate and become. Combined with the Coen brothers who have an extensive record of creating films within very specific time settings (from “The Big Lebowski” to “O Brother Where Art Thou?” and  “Inside Llewyn Davis” among others), not to mention their outright skill in the writing department AND the fact that they’ve been known to join in on the writing efforts of other films at times (“Bridge of Spies”). This is a team that has the credentials and the skill to pull this film off.

Cast:

Ernest Shackleton (Expedition Leader): Liam Neeson

With Shackleton being of Irish descent I believe Liam Neeson is uniquely qualified to pull off the stoic optimism of this legendary explorer excellently. While Neeson has recently evolved into an action star in the last decade he has the gravitas and grit when needed, just look at “The Grey” (For the ‘Man versus Nature’ argument) and Scorsese’s upcoming film “Silence”, a story of jesuits sent to 17th century Japan to retrieve a fellow jesuit wherein Neeson portrays the mentor of the jesuits. Shackleton was a born leader and it was under his authority and compassion that led them all to survive. Shackelton’s mantra of unity and show of humanity was infectious among the crew, often leading them all to rise to his example and treat each other with tremendous compassion. He broke the barriers between the classism that was more present in society at the time. He ordered everyone to perform all tasks, he even washed the floors himself and served the men hot milk (One of the few morsales of food and liquid available at the time) when trapped on the floes. To Shackleton, survival and maintaining the morality of the crew was far more important than any scrap of glory once he knew they would never make it to the Antarctic coast, he simply changed gears and made new goals, mostly that of the crew’s survival and return home. Liam Neeson could portray that confidence, optimism, and sense of checked urgency without folding under the immense pressure that Shackleton was constantly facing. Plus-an argument that could be made for each of these actors included below- who wouldn’t want to work with the director that just won two best director oscars and won one best picture, but was nominated for it twice?!

Thomas Orde-Lees (Storekeeper): Martin Freeman

Orde-Lees was a particularly sassy fellow as far as the rest of the crew was concerned. Labeled a prima donna by some of the crew, he held one of the most perceptive journals out of everyone as he so often complained of others’ nuisances, in his eyes. After Freeman’s performance in “The World’s End”, among many other films and shows,  I am convinced that Martin Freeman could pull off the slightly adverse crew member with his somewhat grumpy demeanor and general negativity towards their odds of survival.

Frank Worsley (Captain/on South Georgia trip): Michael McElhatton

As Captain of the Endurance Worsley needs a character actor with a presence, and Michael McElhatton has presence in spades. You might know him as Roose Bolton, Ramsey’s father, from Game of Thrones. This role would be far less antagonistic than that of the Bolton clan but his projected power in leadership that he portrays on Game of Thrones would most likely transfer to film well. He was also chosen to go with Shackleton on his treacherous journey to South Georgia Island from Elephant Island as Worsley had become adept at navigating in the ever worsening conditions ever since their departure from “Patience Camp” on the pack ice.

Frank Wild (Second-in-command): Eddie Marsan

Eddie Marsan may have portrayed a pushover in the film “The World’s End” but I believe he not only has the smaller framed look of Wild, but the acting ability as well. Wild was an important player in this journey as he often was confided in by Shackleton, and he took on many roles once everything had turned from exploration to that of survival. Marsan has had an incredible amount of side character roles in television and film and is well rounded enough to be able to pull this off efficiently.

Huberht Hudson (Navigator): Tim Roth

Hudson was an indespensible asset on the Endurance as he helped them to find their position while lost at sea on their floating savior/menace of ice. Tim Roth is equally indespensible in every film or show I’ve seen him in and I believe he’d only add gravitas to the ordeal.

Thomas Crean (2nd officer/on South Georgia trip): Sean Bean

While not as commanding a role as he’s had before, this role would be a bit different for Bean. A tough everyman for the English in 1914 Crean proudly became the ‘Father’ of a set of puppies on the trip proving to have a heart of gold under that rugged exterior. Crean is also one of the few characters that travels with Shackleton through the 800 mile journey to South Georgia Island. You need strong willed character actors to portray the enduring battle for survival, and Sean Bean can emote strength, loyalty, and respect effectively. Crean was a man that followed orders, but didn’t quit when it got tough, for he was tougher.

George Marston (Artist): Daniel Radcliffe

As with “Swiss Army Man” and “Horns” Daniel Radliffe seems to be choosing odd yet fun roles since his departure from the wizarding world of magic and nothing would set him apart from that realm of storytelling more than a hard dose of realism set against the backdrop of a dying breed of conquest and adventure at the beginning of World War One. Marston may not have been the biggest standout character among the journey, but he has a unique perspective from the other crew as the journey’s official Artist, he could play with the material within common sense for the character and make smaller moments shine whereas others may not be able to do as much with the role.

Frank Hurley (Photographer): Simon Pegg

Hurley had an interesting perspective within this journey as the photographer of the expedition, he took (and saved) all the pictures and film we currently have today. In fact the picture at the top of the article was taken by Hurley and has Frank Worsley and Lionel Greenstreet in the picture with the Endurance in the harbour of South Georgia Island below, the last stop before getting caught in the pack ice. As such a character, one that frames and views people and spaces, Hurley has qualities that I think Simon Pegg would excel at portraying. Pegg is exceptionally good at imbuing heart and he has a genuine authenticity that would play well into such a character.

Harry McNeish (Carpenter/on South Georgia trip): Walton Goggins

McNeish would be an especially fun role to have Walton Goggins in. As the only member of the party to really step forward to begin a mutiny, before having Shackleton firmly stand his ground as the authority figure, McNeish has a special amount of conflict within his character. He is also one of the crew chosen to go with Shackleton on the trip to South Georgia as his loyalty and ability to influence others came into question. Goggins is rightfully getting more recognition in the film world due to his scene stealing role in “The Hateful Eight”, and I feel he could do this role justice.

Charles Green (Cook): Charlie Day

In my opinion Charlie Day should be in more and bigger roles whenever possible. His antics on the show “Its always Sunny in Philadelphia” are ridiculous and entertaining, but out of the other roles he’s popped up in, I believe I see talents greater than that of Charlie Kelly, ‘King of the Rats’ (Although I do love that character). Green was noted as having a squeaky voice and being conscientious- yet scatterbrained. Does this not sound like the character type Charlie Day has become known for? As the chef that continually serves the crew in the worst of conditions Charlie could have ample opportunity to flex the role and show off his ability to weather any storm and survive, if he can bring anything from the Charlie Kelly character- it would be his skill in survival.

John Vincent (Seaman/on South Georgia trip): Adam Baldwin

You may remember this Baldwin from a little sci-fi show from the early 2000’s called “Firefly”. As Jayne on that show Baldwin expressed a lot of what we’d need for Vincent, essentially a strong strongman (Vincent had been an amateur boxer and wrestler before taking on work on the open seas) that attempts bullying behavior among the crew and is thus also picked by Shackleton to go on the journey to South Georgia, he’s loyal, just slightly antagonistic. Adam Baldwin could excel in this role.

Timothy McCarthy (Seaman/on South Georgia trip): Sharlto Copley

This may be a smaller role on the journey but as one of the capable seaman on the trip Copley could have great fun in being an eternal optimist in the worst of it. He was also chosen to go on the journey to South Georgia and maintained a sunny attitude once proclaiming “Another fine day” to McNeish when switching shifts at the till, to which I believe McNeish later recorded in his journal as “Insufferably optimistic”, but don’t quote me on that.

Lionel Greenstreet (First Officer): Hugh Jackman

Hugh Jackman is an actor with an incredible set of range, just watch “Kate and Leopold”, “The Wolverine”, and “Les Misérables” to get an idea. As an outspoken officer aboard the ship Greenstreet held his level of authority and was well liked. Later in the expedition he ran one of the dog teams and ended up killing an 800 lb Weddell seal with the help of Dr. Macklin. Jackman would be yet another indespensible asset to the film.

Leonard Hussey (Meteorologist): John C. Reilly

John C. reilly has done serious roles before (“Gangs of New York” for example), and he would fit in well here. Hussey had little qualifications going into the trip but Shackleton eyed his potential crewmates with more than just record and experience although those were ample qualifiers as well. He relied on gut and intuition. It paid off with Hussey as he was rather proficient at his work.

Dr. Alexander Macklin (Surgeon): Christoph Waltz

Macklin was a worldy man having been born in India and traveled globally before his family returned to England where he began his certification to become a doctor. When he was interviewed by Shackleton for acceptance on the expedition he asked Macklin what was wrong with his eyes, as Macklin wore glasses, he humorously replied “Many a wise face would look foolish without them” That clinched the decision for Shackleton and he was aboard the Endurance. After they became trapped Macklin was put in charge of a team of dogs, his quickly became the best team of all the men, running sledges through the ice from the ship before it was crushed entirely. They also held races in the ice to abate boredom and apathy. Once getting to Elephant island Macklin and the other surgeon remained on the island to attend to Rickenson (one of the seamen) as he had a heart attack upon reaching the island, and Blackboro as he’d gotten gangrene on one of his feet and eventually had it removed. Christoph Waltz has the charm and wit to pull this character off well enough, plus giving him a worldly background would be easy for such a wordly actor.

Perce Blackboro (Stowaway): Paul Dano

Paul Dano does sadness and uncertainty incredibly well, see “Swiss Army Man” for a perfect example of this. As a stowaway who is caught and given work only to have an awful time after that, Dano would excel in this young character’s fear of being stranded on the ice. Even worse is the fact that he loses a foot due to gangrene after they leave the floe in the boats, being awash in freezing cold saltwater consistently for seven days straight without being able to move and almost no sleep and even less food will do that. Dano is amazing at emoting during times of struggle and strife, and this role is full of that.