film

Passion. Drive. Grit.

I’m gonna take a moment here to say something to all you would be filmmakers out there (fyi I count myself among that crowd).

Don’t. Give. Up.

If storytelling is in your blood, if its the thing that captures your attention from the moment you wake til the second your head hits that pillow, if its what inspires awe, laughter, even sadness, or simple reflection, then embrace it! Embrace that undying need to create, to inspire in others what moves you most!

I am fully aware of all the things that stop somebody from going out there and shooting a movie. Making a movie is a huge ambiguous, gelatinous, shapeless thing, it is different every time someone puts pen to paper, or powers on a camera, or buckles that last belt on their costume. It cannot be done alone, nor should it be. There are many, many, many, many, many, many variables to consider, and problems to overcome. Chief among them being the simple task of having enough money to even be able to start. That’s where I’m at. I get it. I have no gear, a handful of friends spread across several states that have interests in film, but reality steps in and takes precedence.

For Now…

My point is, do what you can, when you can. Have an idea? Write it down! I am no stranger to starting a billion ideas before finishing one. Clarity and focus is key. Knowledge is also important! Read up on it all! Do your homework. Get acquainted with the lingo, at least the basics. A particularly influential Art teacher I had in High School taught me that you have to learn the rules first, so you know what to break later. Here’s my current film related reading list, some I have completed, others I have yet to start, but they cover almost every aspect an indie filmmaker might want to know:

1 “The Filmmaker’s Handbook: A comprehensive guide for the digital age by Steven Ascher & Edward Pincus. My Thoughts: Its a bit of a behemoth, but packed with facts, details, and techniques. It solidly explains everything from how a camera works on its most primitive level, all the way to the heat of production and post. This might be the most info you get for your money out of all the books on this list.

2  “Making Movies” by Sidney Lumet. My Thoughts: I hadn’t heard of director Sidney Lumet before this (I know, shame on me), but I immediately respected him for his process of filmmaking. He was very detail oriented and planned things out way ahead of time, his style of controlling the creation of his films was a unique and fascinating one. If you haven’t seen any of his movies, check out “Serpico”, “Network”, and “Dog Day Afternoon”. Personally I loved all three and they made me realize Al Pacino was capable of more than a well placed “Ooo Aaahh”.

3 “Filmmaking: The Hard Way” by Josh Folan. My Thoughts: This book is a case study of indie director Josh Folan’s first feature length flick. If you’re wondering how other people in your shoes did it, check this out! He details the entire process from pre-production all the way to distribution. Plus the guy’s a very active and responsive social media personality, nice guy, and he’s totally willing to help with any questions that you might have (at least it seemed so from my short exchange with him).

“On Film-making: An Introduction to the craft of the Director” by Alexander Mackendrick. My Thoughts: Just because the framework of the story is “old school” in its time and references doesn’t mean the core ideas are “Out of Touch”. Plus if “The Third Man” comes up and you still haven’t seen that, you really need to stop what you’re doing and go watch that, a classic, and great, noir film starring Orson Welles (of “War of the Worlds” [not that one you mook] and “Citizen Kane” fame).

“Tough Shit” by Kevin Smith. My Thoughts: Even if you don’t necessarily care for Smith, this book still has valuable information in it. It details how he took his film “Red State” across continental America and self distributed it proving some twenty years after “Clerks” that he still is the indie kid that could, and did.

“Writing the Character Centered Screenplay” by Andrew Horton. My Thoughts: I’ve personally always had a bit of trouble adhering to the script format, and this helped break down the essentials for me, and helped me to appreciate a different, more character oriented take on the form. Very Useful.

7 “Film Directing Shot by Shot: Visualizing from concept to screen” by Steven D. Katz. My Thoughts: As an extremely visual person this one is VERY helpful to me as sometimes I just need to see it to better understand it, helpful for story-boarding and the multitude of different shots out there.

“Rebels on The Backlot: Six Maverick directors and how they conquered the Hollywood studio system” by Sharon Waxman. My Thoughts: Reads like a bit of an expose on the six most famous indie directors of the nineties at times, but I found it mesmerizing to learn how all of them worked so differently from each other, and how each arrived at success in wildly different ways. Directors include: Quentin Tarantino, Steven Soderbergh, David Fincher, Paul Thomas Anderson, David O. Russell, and Spike Jonze.

“True and False: Heresy and Common sense for the actor” by David Mamet. My Thoughts: Haven’t even opened this one yet, but from my time working at a theatre during college, I know David Mamet knows his stuff when it comes to acting, or so I’m told. Most likely worthwhile.

10 “Making a Good Script Great” A guide for writing and rewriting by Hollywood script consultant Linda Seger. My Thoughts: This one is just a great layer of extra fluff knowledge backing up your primary writing knowledge, it does focus on a good rewrite, which is an immensely important aspect.

If you’re not much of a bookworm then I have one last suggestion for you.“The Story of Film: An Odyssey” is a 15 episode series, one hour each, that features an in depth look into the entire history of filmmaking. I’ve found it to be an inherently fascinating watch. The series is chock full of knowledge on essentially every aspect of how filmmaking has evolved over time and I strongly suggest anyone that has a loose or even decent grasp on the history of filmmaking to check it out, it’s on Netflix, and surely available elsewhere as well.

Well there you go folks! I hope you find something useful in all that, I sure did! Remember, just be as productive as possible in your current situation! Never give up, and keep dreaming!

film

Practical Magic

This September brings the home video release of one of the biggest surprises of 2015, “Mad Max: Fury Road”. Without going through a typical movie review of the film I’ve come to the conclusion that having a conversation about what makes this movie so special would be more productive. Seriously though, if you haven’t seen it yet, do yourself a favor and check it out, a solid 9/10. In my opinion the feminism portion of the story is all good and well for a modern movie, but what burned into my memory more so than the story of Furiosa and her gang of fiercely independent women was the mind bending practical effects utilized throughout the movie. That was, in my opinion, what made the movie stand tall above other CGI focused movies currently in the market.
Now, don’t get me wrong, I’ve enjoyed a fair amount of movies that rely heavily on computer generated content, but the balance between these two types of filmmaking is what matters most though. It’s what gives the movie it’s allure, it’s magic. Thinking back on it, the movies that inspired wonder and awe most for me were the movies that poured their hearts into every prop, car crash, prosthetic, and miniature set. “Back to the Future” “Indiana Jones” “Jaws” “The Nightmare on Elm Street” “Star Wars” All of these movies, and a great deal more, successfully merged reality with a flair of fantasy (not simply swords and magic for all you D&D’ers out there) that transcended whatever genre they existed in to create just the right amount of immersion.

Take “Raiders of the Lost Ark” for example. Remember that infamous Nazi face melting scene? They achieved it by making a mold of the actor’s face out of gelatin, meat, and liver among other things and had it set next to a heat lamp that slowly melted it. Afterword they sped up the footage and there you have it! C’est magnifique! I could go on for days detailing numerous effects over the last century of filmmaking, but more importantly, there was a time in the last decade or so when it seemed like practical effects had been thrown to the wayside by the new and shiny computer effects brought on by newer technologies in filmmaking.

Films like ”Sky Captain and The World of Tomorrow”, a film that was entirely shot in green screen (They didn’t even use sets or locations, nothing at all except handheld props and costumes) were being lauded as the new way of modern filmmaking. This thinking held true for much of the 2000′s, some deviations being the wonderfully practical ”Lord of The Rings” trilogy among others, but for the most part CGI had seemingly taken over.

Recently however in the last five years of movie releases a peculiar thing began to happen. Slowly but surely people seemed to tire of overly fake sequences and practical effects began to creep back into the limelight. Now I’m not much a of a horror fan, but the recent “Evil Dead” remake heavily embraced such filmmaking, and knowing that they created a moment with practical filmmaking just baits the question of “How the hell did they do THAT?!” I’m still at a loss as to how they sawed a girl’s arm completely off onscreen. I would have assumed she might have just only had one arm and a prosthetic was sawed in half, but I’m also pretty sure they blatantly showed her utilizing that very real arm beforehand. However they did it, I was wowed. Mission accomplished.

More and more movies began to reincorporate on location shooting, heavily ornate and “lived in” setpieces, and all kinds of manmade visual tricks. Even more dramatic films like the brilliant “Eternal Sunshine of the Spotless Mind” meshed palpable effects back into the light. “Predators” was one such film. It went back to the jungle, an actual jungle in Hawaii, utilized practical tricks for the Predators themselves, and props aplenty. Now the more you look around the more you see a real effort to wow audiences with a respective meld between both CGI and Practical effects. Even “Interstellar” was lauded for it’s use of special effects sequences, and that was about wormhole traveling through space and across galaxies! Hell, even the Muppets are back!

What George Miller did with this newest iteration of Mad Max was wonderfully brilliant because it lovingly crafted the look and feel of the film with equal parts practical effects and CGI. Just check out this excellent article that details the minutia of several key sequences! http://www.blu-ray.com/movies/Mad-Max-Fury-Road-Blu-ray/74537/ In today’s world of filmmaking anything is possible. From Galaxies far far away to indie darlings that focus on more down to earth questions about love or death, there is room for both takes, and in many cases you need to embrace both. Sometimes the effects can be so good that you can’t tell which is which either. Anyone remember the scene late in “The Wolf of Wall Street” when DiCaprio and Hill are walking down the Italian boardwalk to their boat? Only the pier is real. Which is astounding when you think about it.

My point being that practical effects can be used to great effect in a multitude of ways, as can CGI. We shouldn’t be demonizing CGI either because when they are both used in tandem, the results are spectacular. Personally, I’m most looking forward to JJ Abrams entry into the “Star Wars” universe and he has seemed to be heavily utilizing both resources, as he should. So, I say to you Hollywood: Thank you. Thank you for realizing that movies can be made in many ways, and that using the best of all our abilities to wow audiences is the point. Necessity maybe the mother of invention, but when you have an abundance of skills and tricks, we all win.

http://www.raindance.org/7-practical-effects-in-films-you-probably-thought-were-cgi/

http://filmschoolrejects.com/cinematic-listology/7-surprisingly-low-budget-effects-in-big-budget-movies.php

http://mentalfloss.com/article/55963/21-things-you-might-not-have-known-about-raiders-lost-ark