film

What if Martin Scorsese made a Marvel Movie?

Everyone knows Martin Scorsese isn’t the biggest Marvel Movie fan. He sees the cinematic universe more as a theme park ride than as cinema. While I do agree with him to some degree on that factor (hey I’ll be here for that roller coaster all day long if I’m being honest), I do think that putting someone with as powerful a vision and sense of individualism as Scorsese at the helm would help to elevate whichever material he signed on to film. Now, obviously, this will not happen. Never in a million years, he’s got his opinion and that’s 100% okay, the man has earned it. However, it did get me thinking. If there was even the smallest of opportunities to get Martin Scorsese behind the camera of a Marvel Movie, what would it take? Which character/s would inspire or creatively ignite his passion for filmmaking most? For clues as to which Marvel character, team, or comic storyline, that would (or could) gel with the auteur, I re-read the opinion article that he penned for the New York Times after the initial “hubbub” had died down after his comments had stirred the nerd and film critic worlds ablaze. There was a small passage in that article that made me immediately dial in on what might work for him, “For me, for the filmmakers I came to love and respect, for my friends who started making movies around the same time that I did, cinema was about revelation — aesthetic, emotional and spiritual revelation. It was about characters — the complexity of people and their contradictory and sometimes paradoxical natures, the way they can hurt one another and love one another and suddenly come face to face with themselves” (full article linked below). A few things clicked into place for me right away. I cannot think of a Marvel character with a more contradictory and paradoxical nature than Matt Murdock, AKA The Daredevil.

The more I thought about it, the more sense it made. Matt Murdock is an Irish Catholic Blind Lawyer who fights crime in, and outside of, the courtroom. He even has a background in Boxing! If Scorsese wanted to tackle a morally complex character who’s actually concerned with his spirituality, there’s not many other mainstream Marvel characters that even acknowledge Religion and its repercussions. Matt Murdock is also a character that works against himself despite his better judgements all the time. If you wanted to twist the knife with Murdock, you’d only get a better story out of it in my experience with the character and his supporting cast. Scorsese could play around with the Foggy Nelson and Karen Page characters as Murdock’s family. He could use Foggy as an excellent sounding board and morality check for Murdock, and Page is a firebrand journalist that just doesn’t quit. Murdock is consistently caught in-between love interests as well, he’s not always the most moral character- he certainly tries to be, but his failures keep him one of the most “human” superheroes out there. A more realism-centric film would probably line up with Scorsese’s talents and interests. For example, I’d keep the villains of the film centered around the Mob, or the organized crime portion of Daredevil’s rogues gallery.

The Netflix show, with it’s storylines and actors, must be considered in my opinion. I would keep at least four, maybe five, of the leading actors from the Netflix series. Obviously, Charlie Cox should be kept as Murdock, because that’s the best casting since Tom Holland’s Spider-Man or Robert Downey Jr.’s Tony Stark, it’s just excellent and incredibly true to the character. Deborah Ann Woll and Elden Henson should also be retained as Karen Page and Foggy Nelson- their work in the series should be supported and fleshed out, they had some of the best character work of the series as a whole- plus they’re just so darn likeable. There’s also no denying the inescapable fact that Vincent D’Onofrio is the best damn Kingpin we’re going to get, full stop. He has to be at the core of the strings being pulled. That character always gets out of whatever cell he’s thrown into. He just has that much power and pull in the criminal underworld. I know the third season of Daredevil went through this kind of story-arc already, but I’m betting there’s a way to incorporate Wilson Fisk into the story, hell, make him the Mayor of New York City- that could have beautiful repercussions for Holland’s Spider-Man anyways. I’d also consider keeping Wilson Bethel as “Dex” AKA Bullseye. He’s not entirely necessary, but having a real threat as one of the inciting incidents in the film could be fun and a nice nod to the Netflix series’ continuity.

Besides the core cast, it would be interesting to see if Scorsese could get any of his “usual” actors involved. Even if Robert DeNiro was just the Judge in one of the court case scenes, maybe one that Murdock loses in the opening of the film? That would be delightful. Having Leonardo DiCaprio as one of the heads of one of the New York Crime Families within the MCU, called “The Maggia”, also has the potential to be sublime. In fact, I’d lean heavily into the idea of the Kingpin, as Mayor, striking out at “The Maggia”. A full blow gang war with all of the different families could be enough to keep Daredevil on his toes at all times. We also have to acknowledge that Scorsese’s lack of interest with these films is the lack of risk. We need a real sense of mystery, we need ‘genuine emotional danger‘ as he said in his opinion piece. I would highly encourage him to take liberties with the characters and the material. Sure Daredevil may not die in the script, but what if Foggy did? I don’t necessarily want that- but if it’s handled with care and gives us some real stakes, some true desperation for Murdock and company? Then fine, I’m in. Scorsese’s said before that at one point he considered taking on “The Joker”, but that he just didn’t have the time for it. If he could see the potential in that film, then maybe he could see something to do with Daredevil? In reality, I know this will not come to pass, but it’s certainly fun to consider! I just hope now that Marvel Studios has the rights back to Daredevil, that the actors from the series are considered when thinking about the big leagues- they earned it.

film

Old School Review: “White Heat” (1949)

Written by Ivan Goff and Ben Roberts and directed by Raoul Walsh, “White Heat” is a crime caper starring James Cagney as Cody Jarrett, returning to the type of role that made him famous years prior in films such as “The Public Enemy” or “Angels with Dirty Faces”. Admittedly, if you open a gangster flick with a train heist and close it out with an explosive shootout, I’ll be there with a smile as wide as the grand canyon. As a fan of genre cinema, “White Heat” was an excellent example of everything that I love about these films. Larger than life performances combined with strong pacing and intelligent characters on both sides of the law led the film to take a few delightfully unexpected routes. Jarrett’s gang follows a strict system and those who fall behind are killed with callous and pragmatic means. The treasury agents chasing down the gang are just as clever however and constantly nipping at the gang’s heels at every turn.

We follow Jarrett as the leader of a ruthless gang as they effectively stop a train and get away with a few hundred thousand to spare. Cagney’s charismatic but highly unstable portrayal of Cody Jarrett is the diamond-cut core of the film, but the surrounding cast all gave impeccable performances that helped to buoy the film throughout. Cody was a fascinating gangster character as this role opened up the psychology of such a killer- at least as far as a film in late 1940’s America was going to explore. The volatile killer had an unusually strong connection to his mother portrayed by Margaret Wycherly in a solid role as “Ma Jarrett” who seemed by Cody’s account to have been tragically surrounded by con men her whole life. Cody’s wife Verna, played by Virginia Mayo, was an interesting sort of femme fatale- not quite the image you may be conjuring of noir films like “The Maltese Falcon” but she was seemingly caught in the mix and in-between lovers. Big Ed, played by Steve Cochran, was the subordinate gangster with big ideas of his own, including killing Cody and stealing away Verna. These two offered a few great points of interest and tension as Cody orchestrated a long con in getting sent to a prison in Springfield, Illinois for the confession of a far smaller crime that supposedly took place at the same time as the train robbery near Los Angeles. All crafted to obfuscate and disorient the cops on their trail.

John Archer was believable as Phillip Evans, the head Treasury Cop in Los Angeles chasing down the Jarrett Gang, and instrumental in organizing a tit-for-tat game of chase across the country and back. Luckily, just as Cody got sent to prison Evans calls up a friend in the agency, Hank Fallon (Edmond O’Brien) who specializes in undercover stings by infiltrating prisons and getting close to the criminals they’re after. After a quick cover is drafted, Hank, now known as Vic Pardo, gets sent to the same cell as Cody, and inadvertently saves Cody’s life from a hit ordered from Big Ed on the outside, and is quickly indoctrinated as one of the gang. The various plot-lines and character decisions from this point on where exciting and joyfully unexpected.

“White Heat” was both nostalgic and refreshing on my first watch through. It held up a lot of the well known tropes and norms of the gangster films of the time, but this post-war thriller pulled a few fast ones and introduced a few more shades of villainous character analysis.If you’re looking for a classic black and white gangster film starring one of old Hollywood’s leading men, then give this one a look! I caught it on the Criterion Collection’s streaming service- (The Criterion Channel) and I cannot recommend that platform enough if you enjoy older (or foreign) films.

Final Score: 1 Giant Ball of Fire