film

“Extra Ordinary” Traverse City Film Fest Review (2019)

Written by Mike Ahern and Enda Loughman (with additional writing by Maeve Higgins and Demian Fox) and directed by Ahern and Loughman, “Extra Ordinary” is an Irish comedy that follows Rose Dooley (Maeve Higgins), a well known psychic in a cozy small town who’s got a love/hate relationship with her supernatural abilities. Rose grew up under the tutelage of her father Vincent Dooley (Risteard Cooper), the host of a local paranormal TV series that she often appeared on with him. Tragically, and hilariously, Rose accidentally kills her father one day when the two investigate a haunted pot-hole. As the film opens up to the present, we find her issues with bereavement haven’t exactly been worked through yet. Rose’s pregnant sister Sailor Dooley (Terri Chandler), pries her away from their father’s roadside grave after the opening credits, implying that this ritual has been performed ad nauseam.

Within that same small Irish town resides Martin Martin (Barry Ward), a widowed father who has a unique supernatural problem. His dead wife has been casually haunting him for some time- forcibly picking out his wardrobe, whipping donuts out of his hand etc. After Martin decides to do something about it, he tracks down Rose to see if she can help him out. Rose hasn’t used her abilities for some time now and works as a driving instructor, even though her heart’s not quite in it despite her cheery disposition. She refuses to help Martin at first, even though she quickly takes a liking to him. Across town residing in a large castle, loafing American one-hit wonder musician, Christian Winter (Will Forte), is running out of money. Out of desperation, he decides to make a deal with the Devil to ensure another hit song- he just needs the standard virginal sacrifice first. Once he tracks down Martin’s daughter, Sarah (Emma Coleman), and puts her in a spell of levitated slumber, Martin and Rose team up in one of the funniest ghost-busting duos to hit the silver screen in some time!

This film was a delightful surprise at the festival this year. Throughout it’s roughly hour and a half runtime the quirky, idiosyncratic, characters rattle off gut busting jokes at a rapid-fire clip while crucially maintaining an earnest and heartwarming vibe. The off-kilter nature of the film keeps everything light, even when the jokes and gags get a bit gross- which is all in good fun when battling the ego of Forte’s Christian Winter and his mustache twirling villainy. Martin Martin, while mainly playing the role of the straight man who’s startled by all of these ghastly ghost adventures, gets a fun twist in the second half of the film when his dead wife possesses him. Rose then utilizes Martin’s new gift to help them collect enough ectoplasm to break Winter’s spell on Sarah. This allows Martin to play an important role in saving his daughter’s life while evolving the comedic tendencies of his character.

Considering the fact that this is Mike Ahern and Enda Loughman’s first directorial feature- this is a superb outing for the duo! Personally, I know I’ll be looking out for the next film from them. If you enjoy comedies that dabble in other genres and styles, I highly recommend seeking this one out!

Final Score: 7 Jars of Ectoplasm

film

Review: Grabbers

Written by Kevin Lehane and directed by Jon Wright, “Grabbers” is an Irish horror comedy about a small Irish Isle besieged by tentacled aliens that harbor a thirst for blood. I didn’t watch this film with the aim to write a review about it, but I enjoyed it so much that I thought it would be good to spread this title around and get more eyeballs on it. The premise of the film is simple enough, the small island has a police force of two and when the captain goes on holiday for two weeks a rookie from Dublin signs up to fill his shoes for the duration of his vacation while the second in command, Ciarán O’Shea (Richard Coyle), is a washed up  drunk who doesn’t take kindly to the newcomer. Lisa Nolan (Ruth Bradley) is the workaholic to O’Shea’s alcoholic and they awkwardly go about their duties once she’s settled on the isle. They quickly come across a bunch of beached whales with strange deep cuts all over them, the local scientist Smith (Russell Tovey) notes that they died at sea, curiously.

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One of the local fishermen, Paddy (Lalor Roddy) traps one of the strange creatures while out on a trawling run and brags about it to O’Shea while at the pub. One thing leads to another and the odd couple police force brings the captured squid-like creature to the local doctor (Pascal Scott) to find out what it might be, but even he has no idea forcing a return to Smith’s laboratory where they discover the creature’s weakness despite its unknown origin. Alcohol. Since the creatures need water and blood to thrive a victim with a high enough blood alcohol concentration causes the aliens to foam at the beak and writhe to death. With a particularly nasty storm coming making evacuation off the island impossible til the morning the ragtag group assembles the island residents to the pub to last through the night.

 

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The film gleefully embraces the cliches of its setting and the genre mashup tropes of Irish drunkenness, small town life, and the briny fishermen known to own their rebellious spirits while enjoying a pint or two more than is recommended. The film may be somewhat predictable but the actors leading the charge are effectively charming enough that I personally was having enough of a good time that this was less of an issue for me. The CGI for the creatures was effective in that they never seemed too goofy looking and once they start to grow, they’re malice enlarges with them. If you enjoy a good horror comedy, I suggest seeking this one out, it playfully acknowledges itself and the common tropes of similar movies, but it’s unique enough to stand out from the crowd.

 

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Final Score: Two cops, a scientist, a doctor, and a pub