film

Review: Spider-Man Far From Home

*Warning! Due to the nature of the film, this review will contain spoilers: you have been warned*

Written by Chris McKenna and Erik Sommers, and directed by Jon Watts, “Spider-Man: far from home” is the second iteration of Tom Holland’s Spider-Man within the Marvel Cinematic Universe and the first film to follow up the two part culmination of Marvel’s Infinity Saga. As such the film had to juggle several major obstacles. In-between dovetailing the final film of phase three including the world’s reaction to the death of Tony Stark and retirement of Captain America, and expanding on the social dramas of Parker’s high school friends, AND giving us a satisfying and comics-accurate version of the fan favorite villain Mysterio- this film had many a hurdle to leap. Masterfully, all this and more is accomplished with style, wit, and heart.

So, the film hits the ground running with Nick Fury and Maria Hill investigating a natural disaster in Mexico with more than a few hints of curiosity surrounding it. As soon as a giant monster forms from the rubble around them, another new factor emerges- the mysterious Quentin Beck garbed in a cape with a cloudy fish bowl atop his head. Later in Europe we discover that this unheard of hero is working with the remnants of S.H.I.E.L.D. to stop these Elementals from destroying the Earth- just as they had done on his own Earth from another parallel universe… or so he tells us. Okay, here’s where anyone who knows anything about the character of Quentin Beck knows that he’s lying. That is, IF, Marvel Studios kept in line with the traditional aspects of the villain Mysterio. Which to my delight- they absolutely did. Jake Gyllenhaal’s performance in this film as Beck was pitch perfect for the character and his backstory of disgruntled Stark Tech creative slid wonderfully into the background of the MCU as if he had been there all along. Mysterio’s illusions throughout the film were excellently rendered, but there’s one scene in particular where the film blurs the line between mediums of film and comic-book in what I like to call, The Nightmare Sequence, in which Beck thrusts Spidey into illusion after illusion after which he gets so shook up he starts to question reality. Over all, this was an excellent example of a fantastic villain used correctly, while being comic-book accurate, and molded to fit this medium and existing story structure.

As for our hero, Peter Parker may not have been in his traditional setting, but this was a story well in line with the familiar tropes of our favorite webslinger. Throughout the film Peter is under constant pressure, from Nick Fury, from his potential rival for MJ’s affection, from Beck, but primarily, and poignantly, from the expectations laid upon him after the death of Tony Stark. Stark wasn’t just Iron Man to Peter, he quickly formed into the parental figure where other films utilized the reliable but familiar role Uncle Ben played in Peter’s life. He may not have said that singular advice that so motivated Peter in various other stories and mediums, but the advice that the tin man did give Peter was essentially similar, and from a place of personal experience for our late armored Avenger. Pull all of those story strings with the right amount of tension and you put Spider-Man where is meant to be in most of his stories, his greatest growth always comes from his moments of greatest peril. This film has that crucial aspect for the character, and the film crew behind these two Spider-Man films have utilized that well.

I wanted to quickly highlight a few of the things that I thought elevated this film a little further than it might have otherwise been without them. Zendaya’s MJ had a lot more to do this time around and her character was expanded upon in a thoughtful and charming manner. Ned (Jacob Batalon) and his girlfriend for the summer Betty Brant (Angourie Rice) were a fun aspect of the trip and reminiscent of how fleeting teenage romances can be. Fortunately though, they never crossed over into the void of being overly cringey. The few scenes and jokes we got with Flash Thompson (Tony Revolori) were entertaining and there’s even a quick moment where we get a peek into Flash’s personal life (it is very fleeting, but still appreciated). Oh, and how could we forget Happy Hogan? It must have been pretty amazing to be Jon Favreau on the set of this film, still keeping watchful eye on the film series he helped to craft into existence more than a decade ago now. I’m glad his character still has purpose and still matters in this cinematic universe, we should be so lucky to have him around! I can’t think of much else to add at this point, I highly enjoyed this film at the theater, and I’m very much looking forward to the next Spider-Man film starring Tom Holland and company!

Final Score: Hundreds of killer drones!

*Oh, and for the love of god: Stay through the credits for the best reveal in Marvel Cinematic history.

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film

Review: Velvet Buzzsaw

Written and directed by Dan Gilroy, “Velvet Buzzsaw” is a new mystery/horror film currently available to stream on Netflix. Dan Gilroy, Jake Gyllenhaal, and Rene Russo all reunite after the stellar film that was “Nightcrawler” in 2014. Just as “Nightcrawler” satirized the “If it bleeds, it leads” mentality of local news stations’ greedy pursuit of more eyeballs on their network- Buzzsaw tackles a similarly dark, almost comedic, satire of the Los Angeles art scene in all of its pretentious nature. Once we’re introduced to all of the major players of the story things get rolling after Josephina (Zawe Ashton) discovers the dead body of one of her neighbors in her building. She quickly discovers that the recently deceased was an undiscovered, and brilliant, artist. Being the young, green, aspiring art agent that she is, Josephina takes her discoveries home- only to be discovered later by her boss, Rhodora Haze (Rene Russo), a ruthless and successful art collector and distributor.

Once the word is out, it isn’t long until Morf Vandewalt (Jake Gyllenhaal) catches wind of the discovery- he frequents the events that Rhodora hosts and is romantically involved with Josephina as well. Gyllenhaal portrays Morf as an ostentatious and glib-lipped art critic, he’s seen as a god among his peers- his opinions can make or break the bank of an art gallery or installation. Gyllenhaal is clearly, having a ball with the character and he was one of the best parts of the film. The cast as a whole had a lot of moving pieces and nearly every major speaking part had a role to play in moving the plot forward. Tom Sturridge and Toni Collete equally chew the scenery when given the chance as Jon Dondon and Gretchen, fellow competitors with Rhodora in the world of gallery owners and art distributors. John Malkovich also appears to be having a good time as Piers, a once promising artist who’s been considered washed-up since ridding himself of alcoholism. Even Natalia Dyer’s got a fun role as the sheepish secretary, Coco, who ends up working for all of the major art collectors in the story once things start to get bloody.

(Rene Russo and Jake Gyllenhaal appear in Velvet Buzzsaw by Dan Gilroy, an official selection of the Premieres program at the 2019 Sundance Film Festival. Courtesy of Sundance Institute | photo by Claudette Barius. All photos are copyrighted and may be used by press only for the purpose of news or editorial coverage of Sundance Institute programs. Photos must be accompanied by a credit to the photographer and/or ‘Courtesy of Sundance Institute.’ Unauthorized use, alteration, reproduction or sale of logos and/or photos is strictly prohibited.)

Which brings me to the hook of the story, there’s something weird about the artwork of Dease (Josephina’s deceased neighbor). It seems to have supernatural properties and works to kill those who profit from displaying the artwork. It’s a silly premise indeed, but the actors deliver such passionate performances within that premise that make it delightfully fun. I mean, who doesn’t enjoy the tagline of “Pretentious art critics brutally attacked by the art they critique“? If you’ve got the time and enjoy a good genre flick, I’d recommend it.

Final Score: Thousands of Dease pieces