Written and directed by Sam Raimi, “The Evil Dead” is the quintessential archetype of the “Cabin in the Woods” style of horror films. Recently, a group of friends and I rewatched Sam Raimi’s masterpiece indie horror cult classic- and it dawned on me that I had never written about it here in the blog. There’s no time like the present they say, so, here I am. First, there will be spoilers- but I highly recommend the film if you’ve never seen it, it’s one of my all time favorite horror films. In the film, five young Michigan State University students travel through the Tennessee mountains to vacation in a remote cabin. Their journey there takes them through increasingly abandoned roads and eventually through a two-track trail deep into the forest. In a bit of unnerving foreshadowing their final descent involves crossing a rickety wooden bridge in Raimi’s 1973 Oldsmobile Delta 88, affectionately nicknamed “The Classic”.
Once the group reaches the cabin, an ominous porch swing continuously slams into the side of the cabin walls until Ash (Bruce Campbell) unlocks the front door with a skeleton key ring above the door’s mantel. The five friends all settle in despite the creeping sense of an ominous force in their midst. One of the girls, Ash’s sister Cheryl (Ellen Sandweiss), is drawing the clock on the wall but becomes weakly posessed for a moment as she’s forced to frantically draw a crude rendering of the infamous Necronomicon, or “Book of the Dead”. Then shortly afterwards at dinner, the trapdoor to the cellar abruptly flies open. Ash and Scott (Richard DeManincor) investigate the occurence and wander through the basement, to which they discover a litany of bad omens in a secluded room. Daggers, bones, and a filthy book bound in human flesh and inked in blood are all on display, at which point Ash and Scott laugh at the oddity and decide to take the items upstairs for a goof. They also found an archaeologist’s tape recorder which they play at their peril. In the tape the archaeologist describes the phenomenon that they are about to experience in which ancient Sumerian rituals raise demonic spirits. Cheryl asks them to stop the tape, but Scott insists they hear the end, and when he turns the tape back on the archaeologist has begun reciting the incantations that stir and wake the slumbering demonic forces of evil, eager to posess their latest victims. Initially The Evil Dead stalk their victims from the shadows before going all out on the college students. Cheryl keeps hearing voices clamoring for her to “Join us” and eventually goes out into the woods to confront them- which is a massive mistake as the trees attack her and in one of the most disturbing scenes of the film, rape her with swarming tree branches and sticks. It’s gruesome and horrifying, but it certainly sets up this supernatural phenomenon as one of absolute Evil.
The rest of the film is the blueprint for hundreds of homages, tribute scenes, and essential structure for horror movies utilizing remote locations with teenage protagonists set against something usually quite awful. While the whole film is wrought with excellent suspense and eerie ongoings, the second half of the film is where its at. The practical effects employed in the making of this film are truly stunning and crazily inventive for the time and genre. Once the film gets into it’s third act it gets absolutely bonkers with gore and over the top violence. It’s disgusting, revolting- nauseating even! The fact that the special effects of this indie horror movie still hold up roughly forty years later is effective proof of the film’s cult success and it’s unending rewatchability. Raimi’s direction and camera movement choices help prod the film even further into the absurdism of the third act. His inclusion of extreme dutch angles during Ash’s descent into madness and paranoia are filmed with wonderful speed and ferocity. Especially memorable are the scenes where the mirror turns to water and the comically dark beat where Ash tries to give his obviously dying friend Scott a drink of water that pours down his face as Ash confidentally tries to tell him they’ll all make it out alive.
If you’ve only ever seen Sam Raimi’s Spider-Man films from the early 2000’s, I highly recommend you give his earlier work a shot. “The Evil Dead” movies that Raimi and Campbell worked on together share a crazy, manic, and creative spirit, and that’s inspiring. If you’re wondering why so many film nerds are excited by the recent news that Sam Raimi will be directing the “Doctor Strange” sequel, beyond his Spidey films, these horror films showcase a truly intense and massively creative talent behind the camera. We can only hope Raimi’s indie roots stick with him through his introduction to the Marvel Cinematic Universe. It’s a bright future in film folks!
Final Score: 1 Ash, 4 Deadites
For fun, check out this article which takes a look at “The Classic”s many appearances throughout Sam Raimi’s filmography: