Tag: Thor

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Review: Avenger’s Endgame

Posted on by spacecortez

*WARNING* There will be SPOILERS in this review, you have been warned!

Written by Christopher Markus and Stephen McFeely and directed by Joe and Anthony Russo, “Avengers: Endgame” is the culmination of Marvel’s ambitious 22 movie spanning Infinity Saga. A year after the Superhero grand slam that was “Infinity War”, Endgame picks up the pieces leftover from Thanos’ successful snap that rendered half of the life in the universe to dust. This film had to do the impossible, the insane, and the unimaginable after the events preceding it- and what we got was one of the most satisfying possibilities in the Multiverse! The first act wisely wades in the desperation and defeat that has rattled our surviving heroes. Each of the core six original Avengers process this in widely unique choices over the course of the five year time jump after the opening sequence. Black Widow organizes what remains of the Avengers Headquarters, getting reports from the cosmic and international heroes as time marches ever onward. She appears rattled and broken, focusing on what can be done in the wake of universal tragedy. Captain America leads a support group in New York City and is still an optimist at his core- even if he appears weary from his wars. Thor has created a “New Asgard” in Scotland with the remaining survivors of his people, though his own personal journey has turned into one of substance abuse and depression (also a beer-gut and fortnite with Korg and Meek). Hawkeye, whose family’s snap into dust opens the movie, has become a vigilante that mercilessly hunts down gangs and henchmen around the world. Without a family, Barton has turned full-on Frank Castle with a katana. Bruce Banner, ironically, has found peace by seeing the Hulk not as a problem he has to cure, but as the cure to his curse. Merging with the Hulk Banner has become “Professor Hulk”, combining brain and brawn to become a new, and subsequently more chill, being. Which leads me to the Avenger that started this whole damn thing, Tony Stark. After returning to Earth with a little help from Captain Marvel, Tony has a heated argument with Steve and abruptly leaves the Avengers battered and bitter. He ends up moving to a cabin on a lake with Pepper, together there they bore a daughter, Morgan Stark.

Above all else that these films have managed to accomplish, beyond the meshing of characters and stylistic flavors of genre-bending storytelling, is their masterful focus on characterization and development. Even when the plot hasn’t been as engaging (Thor 2: The Dark World) or when expectations didn’t exactly live up to the hype (Iron Man 3) the characters have always shined through the worst of it. Phase 1 was all about establishing the grand concept of what the MCU could be, and phases 2 and 3 only expanded upon the successes of the original six Avengers intermingling to save the Earth. Which is why both Infinity War and Endgame are so damn satisfying. The writers and directors knew that people have been putting emotional investment into these characters for a decade and they played into long standing character moments, emotional beats, and the humor of the MCU as a whole. Which is a feat in itself given how brooding the first act of Endgame is. It’s gratifying because we’ve been given scenes and beats that reward the audience for knowing all the winks and nods, but also because the filmmakers have given us a true end for several core characters, and evolved others to places we never could have imagined when we first met them.

Ant-Man is the key

The smallest avenger became the saving grace of the Marvel Universe after popping out of the quantum realm thanks to a San Francisco rat. While only spending five hours trapped in the quantum realm at the end of Ant-Man and the Wasp the world had moved five years in that time. When Scott Lang stumbled out of his tiny exile, he found a broken world. After this harsh realization he goes to Avengers HQ in New York and urges the remains of Earth’s mightiest heroes that there must be a way to reverse this outcome. They just need the will… and maybe a particular genius, billionaire, playboy, philanthropist…

Captain America and optimism

While most characters in the MCU are handled with great care to their respective personalities and motivations, I would argue that none have been as pitch perfect as Chris Evan’s portrayal of Steve Rogers (with the on-par exception of RDJ’s Tony Stark). From his world war two Nazi punching origins to fighting an alien horde on the plains of Africa alongside the Black Panther, Cap has always been the most reliable, resilient, and optimistic freedom fighter in the MCU. Some found his ending to be problematic for his core character traits, but I see it more as an influence from RDJ’s Stark. Both characters finally influenced each other to their cinematic outcomes. Rogers, ever the man to lay down his life for the sake of others, took Stark’s advice from Age of Ultron and went home in the end. This ending for Cap means more to me than anything else in the film, if he didn’t earn a life away from the fight- then who could?

Iron Man and protecting the universe

While this is an Avengers film, it’s still Tony Stark’s story at its core. Allowing Stark to live away from the fight for five years, raising a daughter with Pepper Potts, it worked perfectly as a closing arc for his MCU journey. He has come so unbelievably far from where he was during the events of the first Iron Man film. From weapons manufacturer and playboy magnate to one of Earth’s mightiest heroes living with his wife and child, it’s really staggering to watch the whole arc of Stark’s life since donning the iron suit of armor. Plus, he got to bookend the entire Infinity Saga with just four words.

Thor and failure

Thor’s had a devastating history in the MCU. By the time Infinity War’s events ensnare the Norse God he’s lost his mother, father, home of Asgard, and his brother Loki in that film’s opening scene. His whole story is about bringing a god to his knees and submerging him in humility and loss. So, when his friends come looking for him it’s no wonder that in that five years’ time Thor dove headfirst into some serious substance abuse in beer and food. Thor, the once and future King of Asgard, has fallen the furthest from his lofty nobility of power and regalia. His story in Endgame is about reclaiming his sense of self and rebuilding his shattered ego.

Professor Hulk

While the Hulk and Bruce Banner may have gotten less to do this time around, he’s had some serious development since Infinity War. Professor Hulk is internet famous now, he takes pictures with kids, and dabs like a dad out of touch with the cool kids in 2023. He’s generally mellow and tries to help his friends as much as he can. While he may not be credited with creating the time machine used in the movie, he is responsible for snapping everyone back to life- and for that, we thank you Professor Hulk! Proof that while he may be centered and at peace, he’s still the strongest Avenger!

Time Travel: revisiting 2012, 2013, & 2014 and the 1970’s

The time heist sequences were not only entertaining and clever, but they allowed the filmmakers to take the characters through their shared past, reliving a few of the films that came before. Obviously the first Avengers had to be referenced out of all the films in the saga, it was the one that proved that this whole Avengers thing could work in the first place. Captain America, Iron Man, Professor Hulk, and Ant-Man all arrive in the midst of the battle for New York where they must retrieve three of the six Infinity stones. Meanwhile Thor and Rocket travel to Asgard in 2013 during the events of The Dark World to retrieve the reality stone. Seeing Asgard in all its unbroken glory, and watching his mother from afar, Thor Odinson has his most human and heartbreaking scene yet, a panic attack followed by advice and encouragement from his Mother- on the day of her death no less. Good Stuff. On the other side of the galaxy, and one year later in the timeline, James “War Machine” Rhodes and Nebula land on planet Morag. All they have to do is snag the Power stone from Star Lord after he steals it during the opening sequence of the first Guardians of the Galaxy film. They leave the Benatar (Star Lord’s ship) to Black Widow and Hawkeye who travel to the planet Vormir to trade a soul for the Soul stone. Oh, and the first group that go to the battle of New York miss the mark while attempting to grab the Space stone. Professor Hulk and Ant-Man take the Time and Mind stones while Tony and Steve use the last of their Pym particles to go back to the one place where they could find both the Space stone AND more Pym particles for their return journey. This elegantly allowed not only for more cameos (and this film is full of surprise cameos!) like a younger Hank Pym, but it also gave Tony a chance to have a moment with his father. Tony’s relationship with his father is central to the core of the character, and it was fitting to give the two of them the time to have a candid conversation about fatherhood, with Tony giving his own father advice on the matter. Beautiful. Just the fact that the filmmakers took the time in one of the biggest films ever made to have touching character moments for a majority of the major players in these films, it’s just outstanding, and highly commendable in my opinion.

The end battle sequence

I’m not going to go into detail here, but just know that the final fight against Thanos and his alien army is the most comic-book thing I’ve ever seen and I loved every second of it. Have fun, and go watch this superhero masterpiece again- nerds.

As far as what the future of the Marvel Cinematic Universe holds, only Kevin Feige knows, but I’m betting on a ramp up to Secret Wars. Possibly with the Beyonder from the first iteration of the comic event, but it’s more likely to be based off of the 2015 version, wherein Doctor Doom is the villain behind the mind bending comic book showdown. Now that the MCU can incorporate the Fantastic Four and The X-Men, the possibilities are infinite! What a strange and fascinating time we live in.

Final Score: 22 films!

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film

Review: Thor Ragnarok

Posted on by spacecortez

*There are some mild spoilers in this review, but nothing too revealing*

Written by Eric Pearson, Craig Kyle, and Christopher L. Yost and directed by Taika Waititi, “Thor Ragnarok” is the third installment in the “Thor” franchise and easily one of the finest additions to the Marvel Cinematic Universe. Coming hot off the heels of Waititi’s last film “Hunt for the Wilderpeople” Ragnarok retains several actors from the kiwi adventure-comedy. Sam Neill shows up in a play on Asgard portraying Odin in a fun cameo while Waititi’s longtime collaborator Rima Te Wiata plays the role of the Grandmaster’s (Jeff Goldblum) security guard on the trash planet of Sakaar. This is a Thor film that sheds the weight of past films while embracing the greater cosmic scale that earlier films like “Doctor Strange” and “Guardians of the Galaxy” had already accelerated. But how did we get to this place? Let’s rewind a second and take a look at the franchise as a whole.

The first two “Thor” films, while having their fair share of fans and being generally well received, aren’t always near the top of the average moviegoers personal favorites of the MCU thus far. I believe one of the main reasons that’s led to this film being such a drastic departure from Thor’s past films was that Marvel Studios now has the confidence to embrace the more obscure aspects of their material after the successes of “The Guardians of the Galaxy” and it’s sequel. Marvel seems to know the conversation surrounding their brand of movies and taken some criticisms to heart. The studio now seems to embrace the expectations that their logo inspires as they’ve turned the tables on the audience by playing against these expectations. Which only reinforces my opinion that if you’re going to go make a sci-fi fantasy film, just go for it. Be unique, go for the weird and the unknown and see what works and what doesn’t. As it turns out, throwing the incredible Hulk into the far reaches of outer-space to fight aliens in a gladiator arena, while also having Thor attempting to stop the mythical end of Asgard called ‘Ragnarok’, is a pretty damn good idea.

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Since we’re playing in the sandbox of gods and kings, mythology and science fiction, it makes sense to acknowledge just how silly all of this really is. Taika Waititi never discredits the past or tosses around cruel or barbed comedy though- it’s all in good fun and is a refreshing change of pace for the franchise. In fact this year’s three releases from Marvel have been increasingly better at pairing comedy with their films. “Guardians of the Galaxy Vol. 2”, “Spider-man Homecoming”, and this film all deftly weave comedy into their storylines without sacrificing quality or softening the threat of the villains of each story. I think it’s immensely important that neither James Gunn nor Taiki Waititi lost their comedic voices while engaging in the Marvel movie machine, Jon Watts might have also kept his comedic touches intact with the newest iteration of “Spider-Man” but I’m less familiar with his work. Though I’d be remiss not to mention the comedy gold in this film that is Korg, an alien gladiator made of rocks who also happens to be trapped on Sakaar-and portrayed by the director himself. If you’ve seen “Hunt for the Wilderpeople” imagine Ricky Baker as an alien rock gladiator- but with manners, and there you have it.

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So, there are essentially two things that made this film work as well as it did for me, the performances and the visuals. In various films throughout history there have been scene stealing actors or characters that charm us, fill our lungs with laughter, or terrify our very hearts-but this film is loaded those moments. There wasn’t a single character that overshadowed the rest of the cast. Each seemed to have something to contribute to the story or to keep the pace swiftly bouncing along with a joke or an escalation of violence that underlined the characters’ need to keep moving in the right direction. Taika Waititi has said that one of his chief intentions with the property was to make Thor the most interesting character in his own movie. This is something he succeeds in doing by stripping the character down, removing his hammer, forcing a new look upon the character, and dropping him in new environments with an earned confidence. The additions of Doctor Strange and Bruce Banner’s Hulk also have merit as they remain consistent while moving the various characters forward in development. Strange immediately whisks Loki away after the brothers arrive on Earth looking for Odin-a sign that he’s been studying and honing his craft of Sorcerer Supreme since his film’s end. Just as the Hulk has become a fully formed character after staying in his green form for two years while fighting, and winning, battles on Sakaar. New additions to the franchise weren’t ignored or phoned in either as Tessa Thompson’s Valkyrie has a fully formed story arc that builds on Asgard’s past and towards it’s future. Cate Blanchett’s Hela was a fun creation of dangerous and menacing, though while there was some chewing some of the scenery at times, she remained a threat and clearly had fun on the production. Even Karl Urban’s Skurge, mostly a comedic relief character, has a complete arc across the film. Jeff Goldblum’s Grandmaster was a joy to watch though, perfectly becoming an amalgamation of the audience’s perception of Goldblum, a playful nod to his own film past, while also becoming the character as opposed to the character becoming a riff on Goldblum’s own tendencies. Idris Elba also returned as Heimdall, everyone’s favorite all seeing Asgardian. This time around he’s been an outcast of Loki’s rule on Asgard and leads a secret resistance against Hela’s invasion while sporting a costume fit for Aragorn’s Strider from “Fellowship of the Ring”.

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Which brings me to the visuals. Personally, I loved the blending of the science fiction and fantasy locales and vistas of the film. I never thought there would be a day when I would see the Incredible Hulk suplex-ing an undying giant wolf on the rainbow bridge of Asgard. That is something that’s outright amazing to me, and maybe that won’t do it for everyone, but I loved it nontheless. Everything from the barrage of colors on Sakaar to the fiery lava fields of Muspelheim from the opening scene to the vibrant earthy tones of Asgard were a dazzling visual feast. I also really loved the way Valkyrie’s backstory was shot with the Pegasus riding female warriors launching an attack against Hela years prior. It reminded me of the painting scene in Wonder Woman, but with more slow paced action taking place onscreen. Skurge also received this perspective while leaping from a spaceship into a crowd of undead Asgardians and wielding two AK-47s. The film as a whole was a joy to watch from beginning to end. This is the third film of Taika Waititi’s that I’ve seen and I will most assuredly be seeking out all that remains as soon as possible. This film was quite and enjoyable time and I highly recommend it. Though, if you’re not on the Marvel Studios bandwagon by now this one probably won’t sway you.

Final Score: Four Asgardian Gods and a Hulk

 

 

 

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Marvel Team Ups: Why they should happen more often

Posted on by spacecortez

In recent news it was confirmed that Mark Ruffalo’s Bruce Banner/Incredible Hulk would be joining Chris Hemsworth’s Thor in his third solo movie subtitled ‘Ragnarok’. This is excellent news for any and all comic book fans, and most cinema goers are probably down for the added Avenger in ‘Ragnarok’ as well. In my opinion this is representative of the change Marvel Studios is going to need to keep up with as their movies keep coming out. Soon it won’t be enough to have just one character in any given movie anymore. You can’t go around saying ‘everything is connected’ when it seems that the solo movies barely have any reprecussions or connective tissue to the larger ‘Avengers’ model (With the exception of Winter Soldier and Guardians of the Galaxy, but only because of the much hyped Infinity stone focus in the latter). They’ve already *SPOILERS* given us a taste of this in ‘Ant Man’ with Paul Rudd’s Scott Lang running into Anthony Mackie’s Falcon during a raid Ant Man does on the new Avengers Facility seen at the end of ‘Age of Ultron’. This is a great first step towards making the solo films feel more integrated into the series as a whole. Although, admittedly, it must be quite the series of flaming hoops for the creative teams that are routinely swapped in and out of each film. There is a difference between setting up multiple storylines to pay off in another movie altogether and having a fan favorite  character depict a smart and sensible cameo a la ‘Ant Man’ though.

Possibly more important though is the inclusion of characters from both the television side of Marvel and their big cinema brothers. This is especially true for the Netflix shows that Marvel has begun to roll out. The addition of the Punisher to Daredevil season two is a slam dunk in this ideology of connectedness. Hopefully this is what will happen with other similar heroes that typically fall under the Marvel ‘Knights’  paradigm. Blade, Ghost Rider, and Moon Knight in particular could all benefit whatever series they are introduced in, just as long as it makes sense in service to the story being told. That was intrinsically the best aspect to this new iteration of Daredevil, the story. It was well written and heavily relied on dialouge with crushingly violent and dark sequences spattered throughout to avoid lag or boredom in the script machinations. As long as we aren’t simply tossing in cameos for no good reason.

I believe this to also be true for the upcoming ‘Jessica Jones’ series. Since she is mostly unknown (in the real and print world of comics) she would benefit from the inclusion of a character or two dropping by. Who wouldn’t be pleased as punch to see Paul Rudd’s Ant Man in an episode? Even a simple Foggy, from Daredevil, cameo would blow people’s minds. There’s also a rumor, with a heaping pile of salt, going around about the possibility of Spiderman making an appearance in the second season of Daredevil, which would make all the sense in the world. Spiderman and Daredevil have collided and teamed up previously many times in the past several decades of comics, why not use Tom Holland while we’ve got him? This would also highly benefit Sony, the more people come to recognize this new Actor as THE new Spiderman that gets to interact with all of Marvel Studio’s properties, the more money comes back to them when his solo movie opens. It’s a win-win for everyone barring this kid doesn’t become the new Hayden Christensen.. he’d have to try pretty hard to commit to that level of terrible though. There’s also the circulating rumor that Benedict Cumberbatch’s Doctor Strange will appear in the ‘Defenders’ show once that hits, which is appropriate in my mind as Doctor Strange doesn’t show up all that much, but when he does, it’s usually a big deal, this would only serve to bolster whatever threat level has been introduced to the street level heroes of New York City.

It’s this type of interconnectedness that’s so exciting about what Marvel is doing. In the comics when Spiderman shows up out of nowhere in a Punisher storyline, or Black Panther in an Iron Man book, it’s exciting, scintillating, thrilling. Seeing these characters interact with each other is the basis of why the comics are so fun to begin with because the storytelling options can be endless. It doesn’t always work out, some will be destined to fail by their very nature, but what in God’s name is the point of having Avengers movies and tie ins if you aren’t going to utilize the characters you have access to? This was the downfall to phase two of Marvel Studios’ films in my opinion. I enjoyed those films, but why wouldn’t Tony Stark call for some sort of help when the President of the United States is in Danger? Or any of the scenarios that took place in these films? I understand, that’s part of the allure, an eventual collection of heroes in a “One Shot Annual”, but at least if we’re going to do that, can we make the sparing team ups of a revered quality? Age of Ultron was entertaining and did some things very well, but ultimately failed because of its weighty ambitions (Setting up multiple storylines to pay off in another movie altogether, clear marketing decisions etc). My point being, yes, we should definitely get more team ups, but lets give the creative teams some time, quality is important.

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Movie-Pitch Mondays! [Early Bird Special] Marvel Studios “Dark Reign”

Posted on by spacecortez

Recently Steven Spielberg was quoted as saying that he believes that the Superhero genre will eventually “Go the way of the Western”. There is probably a good deal of truth to that statement. As people tire of the same old song and dance studios will be forced to make more creative, and riskier, filmmaking choices. Personally this excites me even more so than what is currently being produced because it means really niche films within this sub genre will flourish just as some storylines and characters already have begun to do so, such as “The Guardians of The Galaxy”.  Marvel in particular will have to deal with these reprecussions sooner than DC purely because they’ve been doing it longer. In turn as Marvel takes more creative risks DC will have to play ball in order to keep audiences returning in droves to see their particular spectacle over their competitors. The consumer wins yet again.

One of the storylines that I think Marvel would greatly benefit from adapting is that of the “Dark Reign” comic book event that took place in print after the fallout of Captain America and Iron Man’s “Civil War” and the “Secret Invasion” event where the shapeshifting aliens known as the Skrulls were making a move against Earth’s heroes in plain sight. As the movies have taken a slightly, and understandably, different turn with their series of events than their published predeccesors things will obviously have to be different. First and foremost Norman Osborn (The Green Goblin of Spiderman nemesis fame for all you, albiet few, uninnitiated out there) needs to be, at the very least, a presence in the new Spider Man film. He is integral to the storyline as his power play is the source of every involved hero’s problems.

What is key to this “Dark Reign” pitch is that it is not any one hero’s story, it’s just an event that is taking place within their universe. Not everyone is a part of it, but it is widespread enough to include many characters. In the comics it is Norman Osborn who unexpectedly kills the Skrull Queen at the end of the Secret invasion after Deadpool accidentally sends pivotal information to Osborn instead of Nick Fury. Osborn is then thrust into the heroic spotlight afterward as he is seen by the public as their savior, not the superheroes. He uses this public opinion advantage to garner himself power, and lots of it. He even becomes the president of The United States for a while, donning some Iron Man knock off armor to boot. This being the star spangled Iron Patriot armor, to be specific, that we’ve already seen Don Cheadle’s War Machine wear in the movies.

So, yes, as it begins it’s already a bit muddled when comparing the potential, and past, storylines. After this it gets very interesting as the core storyline involves many characters that Marvel Studios either has the rights to, or has recently gotten back from competing studios. There is a rich potential to be mined here. What we need to set this all into motion is a timetable for these movies and what needs to happen, and when, to set up this event. As far as any of us can tell the Skrull invasion probably isn’t going to be an active storyline right away, Kevin Feige has to save something for Phase four anyhow, right? (besides Kang the conqueror) So, we have to replace Osborn’s public redemption event somewhere pivotal. I’m thinking in the second half of the Infinity War movies. It doesn’t have to necessarily be Osborn that hits the kill switch to become the “hero” and save everybody, he just has to at least be seen doing some good, fighting off alien hordes, or something of that ilk. Anything that can be spun in a sensational fashion to get him positive public support. From there it’s all about his cabal of evil.

Norman Osborn starts his takeover by forming the Cabal. An alliance of powerful villains that all have ties to particular heroes, and other organizations. In the comics Osborn’s Cabal consisted of himself, Loki, Doctor Doom, Namor, The Hood, Emma Frost, and Ms. Victoria Hand. In my version, I would have his Cabal enlist the efforts of the Kingpin, Loki, The Hood, The Real Mandarin, and a few other smaller characters of use that were in both versions: namely Justin Hammer of H.A.M.M.E.R. industries and Bullseye, the assassin that never misses. In case you’re curious, yes, the real comic-book character version of the Mandarin does exist within the Marvel Cinematic Universe, just check out the Marvel One Shot that accompanies the Thor 2 home video, “All Hail The King” that focuses on Trevor from Iron Man three in prison being interrogated by what turns out to be a representative of the real Mandarin who is furious at a pretender to the throne using his moniker openly. Fun stuff.

Norman Osborn utilizes these people as pawns in his war against the superheroes. He sends the Hood after Frank Castle (The Punisher), orders Bullseye to impersonate Hawkeye and go after Daredevil, and he utilizes a lot of energy trying to kill Spiderman, obviously. The Hood by the way is connected to Doctor Strange’s world of Mysticism, “Created by writer Brian K. Vaughan and artists Kyle Hotz and Eric Powell, The Hood first appeared in his own self-titled MAX limited series in 2002, which featured his origin, as a character who possesses a cloak and boots stolen from a Nisanti demon, which grant him invisibility and limited levitation ability, respectively….Since Bendis gained control of the character, he has not appeared with his boots, and the Nisanti demon, a tie-in to Vaughn’s Runaways series, was revealed to be a disguise for the Doctor Strange nemesis, Dormammu.” (https://en.wikipedia.org/wiki/Hood_(comics) ).

The excellently gritty Netflix show “Daredevil” has opened up a world of possibilities to the realm of the MCU that can be greatly utilized here. Not only will the show have evolved to the point to be near where the comics have placed Matt Murdock by this time, but it will also be another pertinent connective tie to all corners of the MCU, plus it will be great to see Charlie Cox on the big screen with everybody else, he already deserves it. Here’s the info on that, “After a group of black-clad ninjas kill a group of crooked cops and lawyers, Osborn turns his attention to the Hand and their new leader, Daredevil. Sending Bullseye out in his old suit along with H.A.M.M.E.R. agents, Bullseye and Daredevil clash. The two duel until they make it to the top of a condemned building that is about to be demolished. Bullseye announces that the building will be destroyed, but the 107 people inside refuse to leave. When Daredevil does not help the people, the building explodes and kills all of the people. Bullseye then retreats and Daredevil is shocked. It turns out later that the ninjas were led by Lady Bullseye and the Kingpin, and were used to set up Daredevil.” (https://en.wikipedia.org/wiki/Dark_Reign_(comics) )

With this beyond excellent cast of villainy there obviously has to be a great counter balance. In the comics Osborn essentially blurs the playing field by confusing all of his separate opponents in tandem by utilizing their weaknesses. Loki uses Osborn’s help to make Thor kill Bor (Odin’s father), and cause Thor’s banishment. The Hood, who has an unholy alliance with Dormammu (a larger-than-life Dr. Strange villain), is made to hunt down Frank Castle and kill him. Kingpin’s resources are used as constant threats to both Spiderman and Daredevil as usual. While in this pitch version I would have the real Mandarin force a retired Tony Stark out of the shadows to face his greatest enemy yet. Black Widow, Black Panther, and Banner could all be utilized in certain scenarios as well, possibly to showcase the extent to which Osborn is willing to take things. The character that really brings it all together in the end is Spiderman/Peter Parker. Eventually he does his journalistic duties and hunts down corroborating evidence against Osborn and reveals him to be the Green Goblin to the public and thus begins Osborn’s unraveling. If Chris Evans’ Captain America is still alive by this point it would be a fitting role pairing the two together in the face of insurmountable adversity, to do the right thing. These two characters (in my opinion) best represent that superhero factor, plus it would just be a wonderful interaction between the two characters. I imagine Daredevil, Punisher, Hawkeye, Iron man to be prominent figures in this storyline as well. It is possible this could be a two-parter movie, but if there is adequate set up in a sprinkling fashion throughout the other movies, and even TV shows, first then it could be a fascinating three hour event that encompasses many of the existing Marvel Studios properties in one form or another. Which is exactly what they will need to do to keep people interested. Especially after the two part Infinity War movies.

At one point I had considered trying to tie in the Red Skull with the Cabal, and he would be an excellent addition, but I feel as though he would just be thrown in for added measure and not be as essential to the storyline. The Mandarin might also fall into this scheme, but ever since Iron Man three I’ve curiously wanted to see this character’s power and presence felt in the MCU if possible, and the studio has already made enough effort to nod and wink knowingly at fans that want the real macoy, so, obviously the character has potential to pop up sometime down the road. I recognize there are a lot of angles you could take with this pitch, but that’s sort of the beauty of the Marvel Cinematic Universe, you have clashing characters, but with that comes the world colliding tonal shifts, especially when combining the likes of Spiderman and say, The Punisher. In fact if I was pressed to squeeze this idea under one title character’s name, or banner if you will, then I’d have to go with Spiderman, maybe this could be his sequel of sorts, although it does cover a lot more than just his actions. It ultimately is his villain that focuses most of the attention, and he would be the one to make the biggest move against Osborn that unravels his power scheme. If it did go this way it would have to be similar to what “Captain America 3: Civil War” is shaping up to be. A movie that has that respective main character heavily utilized, but not always being focused on. Giving up a larger role to serve the wider machinations of the story.

So, that’s my movie pitch for this week. Have any questions or comments? Feel free to bring them up in the comments section! Oh and yes, I’d be okay with that rumor of Matthew McConaughey starring as Norman Osborn, I think he’d have fun with the role, and it might challenge him in ways a single film role might not be able to do. Anyways, thanks for reading!

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