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Review: Avengers 3 Infinity War

*WARNING* This review will be full of spoilers, you have been warned!

Written by Christopher Markus and Stephen McFeely and directed by Anthony and Joe Russo, “Avengers: Infinity War” is the third superhero event film under the Marvel banner and the culmination of ten years of interconnected storytelling across all eighteen previous films. If you’ve been following these Marvel movies and are up to date then you will gleam the most out of the two and a half hour epic that is Infinity War. However if, by some chance, you’re just now considering a Marvel movie marathon and are curious as to which movies are most necessary for this latest Avengers movie, I believe about half of them are required viewing (Iron Man, Captain America: The First Avenger, Captain America: Civil War, The Avengers, Avengers 2: Age of Ultron, Guardians of the Galaxy Vol 1, Dr. Strange, Thor: Ragnarok, and Black Panther). The rest help to build upon the structure, and character development, of the cinematic universe, but that list will get you mostly acquainted with what’s going on.

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So, we’re finally here. After hearing about and seeing several of the infinity stones throughout these films, and with a couple cameos from the mad titan himself, does the film live up to the monumental expectations that Marvel Studios has built? Yes. I can answer that wholeheartedly with a resounding yes. Infinity War is a monumental feat of crossover film-making and it makes the once grandiose events of the first Avengers seem minuscule in comparison. The film follows the wake of destruction left by Thanos and his black order as they seek out the six infinity stones and crisscross the cosmos to implement the will of the mad titan. The opening scene perfectly showcases who Thanos is and why we should be afraid for the fate of our superheroes. After laying waste to Thor and the Asgardian refugees’ ship Thanos quickly bests the Hulk in a fistfight, takes the Tesseract from Loki before killing him, and completely destroys their ship leaving Thor to drift unconsciously through space. Heimdall was able to send the Hulk off to Earth before being murdered by the Black Order and as the incredible hero smashes through Dr. Strange’s staircase in New York City, Bruce Banner comes with a dire warning, “Thanos is coming..”

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Dr. Strange quickly grasps the magnitude of the problem at hand as he grabs Tony Stark from a morning run with Pepper Potts, but it isn’t long before Thanos Black Order arrive to make a power grab for the Time stone in the doctor’s possesion. Spider-Man also gets in the mix and we’re off to the races! The movie moves at break neck speeds jumping across space and back to service all of the various storylines in play but the Russo brothers have outdone themselves with this installment as everything flows naturally with the needs of the story. Now I won’t go beat by beat and describe the whole movie, but instead give a general sense of the scale and the threat that comes with Thanos seeking to wield his infinity gauntlet. Not to mention how the movie cleverly utilized it’s massive cast by breaking the characters off into various factions in different locations to best suit the needs of the story. For example, the Guardians of the Galaxy bump into Thor when responding to their distress signal and then separate into two teams, one consisting of Thor, Rocket, and Groot in order to seek out a “Thanos killing weapon” while the rest head to ‘Knowhere’ from their first movie as it’s the last known location of the reality stone. Iron Man and Spider-Man hitch a ride on the ship that the Black Order arrived in to save Dr. Strange from Ebony Maw on his way to Titan, while Captain America, Falcon, and Black Widow stave off an attack on Vision and the Scarlet Witch thanks to a heads up by Banner and eventually head to Wakanda as a last stand to keep Vision’s Mind stone in his head and not on the gauntlet of Thanos.

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The central theme of the movie is that, when pressed by Thanos and his cosmic conquering, will you trade one life for another? Several characters have this grueling predicament pushed on them, some make choices out of love, others for the fate of the universe, but ultimately they fail when crossing that line. The moral center of the MCU, Steve Rogers (aka Captain America), never falters in his moral code. Several times throughout the movie he reiterates to others that, “We don’t trade lives”. He discards the math of the scenario in giving a life to save millions, nay billions. He saves lives, he doesn’t play that game. That right there, might be the absolute best aspect of this film. All of the characters are true to their nature as established in the previous films. There is a palpable consistency to their actions and reasoning. The Guardians all feel like themselves, still making jokes and acting on impulse. Black Panther and Captain America leap into battle first and have unwavering foundations. Thor feels the most evolved since the ramifications of ‘Ragnarok’ changed the game for his films and overall nature, a kingly warrior burdened with grief, yet still able to convey humor as a fish-out-of-water situation with the Guardians. Consistency paired with well thought out plot-points and a very clever villain, possibly the best the MCU has seen yet, add up to one hell of a Marvel movie.

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With an ending as shocking as it is, I- and many other millions, cannot wait to see how these characters rebound and ultimately save the day. This is most definitely a part one, and with only two other films between now and (the still untitled) Avengers 4 that take place before the events of this movie, we’ll have to wait a year and see how this all unfolds. I cannot praise this movie enough, it was far more emotionally mature and full of dread than I expected. There were significant deaths, high stakes and excellent action, and on top of that the film still managed to be really funny at times. They did it. They really did it. The next challenge is to outdo themselves next year, which I have to say, is a tall order. I have faith in the Russo brothers though, their movies in the MCU have been some of the best entries in the superhero genre as a whole. Now all we have to do… is wait.

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Final Score: Infinite Avengers

THE CAST:
Robert Downey Jr. as Tony Stark/Iron Man

Chris Hemsworth as Thor

Mark Ruffalo as Bruce Banner/Hulk

Chris Evans as Steve Rogers/Captain America

Scarlett Johansson as Natasha Romanoff/Black Widow

Don Cheadle as James Rhodes/War Machine

Benedict Cumberbatch as Doctor Strange

Tom Holland (II) as Peter Parker/Spider-Man

Chadwick Boseman as T’Challa/Black Panther

Zoe Saldana as Gamora

Karen Gillan as Nebula

Tom Hiddleston as Loki

Paul Bettany as Vision

Elizabeth Olsen as Wanda Maximoff/Scarlet Witch

Anthony Mackie as Sam Wilson/Falcon

Sebastian Stan as Bucky Barnes/Winter Soldier

Idris Elba as Heimdall

Danai Gurira as Okoye

Benedict Wong as Wong

Pom Klementieff as Mantis

Dave Bautista as Drax

Vin Diesel as Groot

Bradley Cooper as Rocket

Gwyneth Paltrow as Pepper Potts

Benicio Del Toro as The Collector

Josh Brolin as Thanos

Chris Pratt as Peter Quill/Star-Lord

William Hurt as Secretary of State Thaddeus Ross

Letitia Wright as Shuri

Peter Dinklage as Eitri

Samuel L. Jackson as Nick Fury

Cobie Smulders as Maria Hill

and Ross Marquand as Red Skull

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Review: Guardians of the Galaxy Vol. 2, or “Space Avengers.. Again!”

Written and directed by James Gunn once more, “The Guardians of the Galaxy Vol. 2” brings us back into the fold of the galaxy’s most ragtag team of cackling thieves, opportunistic miscreants, and charming rogues. Proving to be Marvel’s riskiest property yet, the sequel delves deeper into the past and motivations for more of the characters while also aiming to be as filled with comedy as it is with tragedy. After all, isn’t that the age old recipe of a good story?

Set two months after the events of the first film, we find our heroes doing a job protecting powerful batteries from the onslaught of a tentacle wielding and fanged-tooth monster of inter-dimensional origins. After the beast is slain, in one of the best opening credit sequences since “Deadpool”, we’re swiftly introduced to the people of the planet Sovereign, a golden colored species that hired the team because of their well known status after the events of the first film. The people of the Sovereign are easily offended and typically issue death penalties for transgressions against them. So of course Rocket Raccoon maligns them of being considered “douchebags” offhandedly. He also steals from them, as he is wont to do. This kicks the thrust of the film into motion and we’re off! I won’t tread into spoiler territory here, but rather instead focus on what the film did right in my opinion. This is a much more character driven film than the first. That one had its moments and particular storythreads that were serviced quite well, but the sequel dives deeper, especially into characters that you would not expect to get meaningful exposition from.

There is a great effort here to build the world of the MCU’s Cosmic side, and I think this film handles that aspect exceedingly well. Not just in a sense of there being many inhabitable star systems, but even in the size ratios of spaceships. The look of this movie is a fine example of a beautifully chaotic color palette. Neon colors and vibrant hues fill the screen one moment just before another psychedelic barrage pours onto the silver screen as characters bounce across the galaxy, fire their blasters, or leap into danger with their blades drawn. I can’t understate how impressed I was with the framing and the cinematography on display, it was a visual feast to behold.

This film delivers on all fronts for me personally. The threat of the film has increased exponentially since the initial story, and they balance it all with a style of humor that is perfect for this series. Dave Bautista’s Drax has some of the very best comedic lines and jokes throughout the film, but everyone gets their fair share of comedic timing. Bradley Cooper’s Rocket Raccoon has a memorable riff on the mutinous ravager known as “Taserface”. It’s a great bit and it works on every beat. Of course Kurt Russell’s character of “Ego” is a joy to behold in his performance. If you thought it was a weird choice to have a film where two of your main characters are a wise cracking Raccoon and a Tree alien who can only communicate with a single phrase, then buckle up because this film outdoes these notions with strange but fascinating creative choices.

If you enjoyed the first Guardians, I suspect you’ll get a real kick out of the sequel. Personally, this is one of the most satisfying sequels I’ve seen from Marvel Studios and it gives me nothing but boundless hope for “Infinity War” and the rest of this universe unfolding before our eyes. Oh, and Stan Lee’s cameo for this film is a great example of the lengths the studio will go in dredging through the many many characters in their lore, I loved it, and you just may too!

Final Score: 300 songs (There’s even a Zune joke thrown in for good measure!)

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Monday Movie Pitch [On a Tuesday]: Expendables 4

First of all apologies for the late Movie Pitch this week, occasionally life can take precedence, and this week it did just that. Enough with the speed bumps however because this week I have a tantalizing pitch that I’ve been stewing over for quite some time now: The next iteration of “The Expendables” Franchise.

On the whole I’ve enjoyed “The Expendables” movies but as they continue the movies have an increasingly cumbersome issue with each episodic adventure. Each movie feels like just like the other but with different palettes of actors or explosive situations. It could be said that Marvel Studios films are getting somewhat into this same issue of overly consistent tone, but that’s a whole other issue in itself. As far as I’m concerned Sly and the Gang need to up the ante and change things up big time in the next movie or the franchise will die, especially given the horrific box office of last year’s third entry in the action heavy series. Granted, the numbers were particularly low because of the movie being leaked online two weeks before the release date, but any way you slice it 6 million for an opening weekend with the amount of star power involved just doesn’t add up. That’s simply bad news for everyone involved.

What I would do to revitalize the series is to play to the crowd of the audience, pitting the older action stars up against impossible odds, odds of a particular magnitude. Introduce a superhero into the mix. It’s the perfect direction for the series to reassert itself among the crowded super-powered market with a unique perspective. The trick is to cast a powerhouse in this role, somebody that’s charismatic, able to do action/CGI sequences well, and bring audiences along with him. That man should be nobody other than Dwayne “The Rock” Johnson.

I can already see the general outline of the plot. Act one has the Expendables sent to take out a young dictator on the world stage that has gotten unwisely bombastic with his nuclear weapon potential. North Korean assumptions can obviously be made here. Have Stallone and the team knock the palace doors down only to be out-staged by this new incredible force. They’re all out of the job after this sequence of events as the “hero” attempts to do as much as possible for humankind in eradicating war and instituting world peace. Eventually he must become either mad with power or deduce that he should be the earth’s sole leader because multiple sovereign nations will only ever result in war and discord. This is where the Expendables become important once more. After multiple countries attempt to nuke the Superman-like hero, and fail, the secret agencies that have been hiring the Expendables since day one step in and introduce some plot device or perceived weakness etc whatever they can do to trick, reason with, or kill the hero.

We could play into the otherworldly alien hero raised among humanity to save/destroy us storyline but that Superman “skin” has been used countless times as is. I prefer a “radiation/accidental act that transforms the everyday man” sort of event for this central character’s origin. For international appeal, and to make more sense for the global scale of the story, including new additions to the Expendables team from other nations would only help the formation of the group.

My top choices for additions to shake up the core team are as follows:

Jackie Chan: I’ve personally wanted JC in this franchise from the beginning since his contemporary Jet Li has had a spot on each film, small as they may have been. I shouldn’t have to explain why this would be a great deal of fun. Especially if he is against the use of guns.

Kurt Russell: Adding Kurt Russell to any movie is a wise decision in my opinion but he’s proven he’s ready to get back into the limelight with his “Furious 7” and “Hateful eight” roles and I’m sure any role they craft for him would be a blast.

Nicholas Cage: The franchise has gotten a bit ridiculous and if they want to be self aware and referential then adding in Nic Cage would be the just desserts. Especially if they need anyone to go crazy. He could be a conspiracy nut that knows everything on Dwayne Johnson’s character. Woody Harrelson would also fit this type of role… or Charlie Day, but that’s just because I love Charlie Day and will gladly advocate more roles for him.

Laurence Fishburne: The man that made Morpheus work has a certain gravitas to himself that would only help to bring balance to the team, plus he’s proven himself many times over the years for the type of work this film would likely entail.

Tom Cruise: Incredibly unlikely I know, but maybe they could squeeze an extended cameo sequence out of him similarly to how they utilized Chuck Norris in the second flick?

Charlie Hunnam: After “Pacific Rim” and “Sons of Anarchy” he could definitely be comfortable with a gun and growl, plus Stallone seems to enjoy the idea of “Young Blood” being added to the team.

Vin Diesel: Between saying “I am Groot” a hundred times and driving off of cliffs Diesel might be too busy to take on another franchise role anytime soon but no one can deny how much he could bring to the table in this sort of setting.

Idris Elba: Citing “Luther”, “Pacific Rim”, and his recurring “Thor” roles it comes to be seen that not only does Elba have a propensity for genre fair, but he’s a damn fine actor that can handle a one liner, or a monologue. Give that man a gun already!

Gerard Butler: “Shoot ’em up” alone has given this man enough action film cred to be involved in this series, let alone his glorious “300” role as King Leonidas. Give that man a sword, or a gun, or both- and let him have at it!

Chiwetel Ejiofor: I seriously doubt he would even want to take on this caliber of role, but his choice of the villain in the upcoming “Dr. Strange” film opens the conversation for more ridiculous options than the Oscar level work he’s currently being more associated with.

A few other recommendations for this film:

Make it a Hard “R” rating. All, or at least most of, the actors in the franchise come from action series where they are almost constantly killing hordes of bad guys in the process of achieving their goals, let them be who they want to be. Let the movie be what it wants to be too, going PG-13 for a wider audience only alienates the core audience that clamors for this type of movie anyways. Oh and cut the CGI blood splatter and terribly awful renderings of tanks and helicopters, we can all see how terrible it is and in the year 2015 we shouldn’t have to see blatant budget choices every time a bad guy bites the dust.

Put Stallone back in the director’s chair again. I stand by the fact that the original Expendables was the best in the series. While I enjoyed the second one there were clear losses of vision and expertise on several levels that Sly had covered in the first piece. Granted I know this series is not known for Oscar nominated performances or the world’s most stunning cinematography, but the first film excelled in areas where the sequels lacked. Having Stallone back in the saddle again might alleviate these issues and help to keep the tone and feel he wants consistent with what ends up being the wide release version.

Kill one of the main characters. They are called the Expendables after all, right? At this point in the game a death in the family, and I mean a meaningful death *SPOILERS* not what we got in two where a newcomer is introduced and killed two scenes later. It would be a good motivator for the team, but it only works emotionally for the audience if we’ve invested in the character. I nominate Dolph Lundgren’s character. He’s gone through a lot in the series and it would maker sense thematically to painfully cut that chord. Nothing against Lundgren though- he’s great.

All in all this could be a potentially huge game changer for this series if pulled off well. Obviously there needs to be a lot more thought put into Dwayne Johnson’s character to make sure he is overwhelming but not omnipotent as well as pacing issues, and having enough for the action guys to do what they do best, shoot, cut, blow up, and punches to the face! Hopefully Sly can make the next one work because I enjoy the series and love the talent involved, its because of this that I want each installment to be better than the last. That’s my movie pitch for this week!

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Movie-Pitch Mondays! Remake of “The Magnificent Seven”

Starting this week my goal is to keep pace with more weekly postings, Movie Pitch Mondays is that first step. This is where I imagine how I would approach the casting, the direction of plot, and crew that inhabit the production of this theoretical film. Description and vision of each film can vary from piece to piece.

For my first pitch I would love to see a remake of the old western classic “The Magnificent Seven”. Which itself was an Old-West style remake of Akira Kurosawa’s Japanese-language film “Seven Samurai”. I know there’s a current remake of this property under way right now, set to be directed by Antoine Fuqua with Chris Pratt, Denzel Washington, & Vincent D’Onofrio among others signed to star. This is simply how I would arrange the property.

The Cast, with character descriptions:

Tom Hanks as the Sheriff with a heart of gold and wit of steel.

Aaron Paul as the Deputy, loyal and proud yet a shadowy past.

James McAvoy as the angry Scottish indentured Railroad worker.

Simon Pegg as the Neurotic Englishman that translates for McAvoy’s character, inventive.

Michael Pena as a wanted bank robber from south of the border seeking asylum.

Vin Diesel as the tough Miner that’s had enough and demands a call to action.

Robert Downey Jr. as the devilishly charming Southern Gentleman, in from the East.

Patrick Stewart as The face of bureaucratic, crushing, power. Joyless.

Tim Roth as Business partner to Stewart’s character, The Good Cop to Stewart’s bad.

The Crew:

Director: JJ Abrams

Writer: Christopher McQuarrie

I chose JJ for this piece not only because I personally want to see what he could do in this most classic of sandboxes, but also because I believe he would handle that territory of filmmaking well. I would trust his handling of the genre. After “Star Trek”, and now “Wars” a western will almost be akin to retiring if we’re scaling for box office numbers anyways. JJ has a unique visual style, and I’m assuming his cinematographers would come along with him on subsequent projects. He can handle a piece such as this, a big ensemble cast that has many moving parts while maintaining just the right slow burn pace that is representative of the genre as a whole, but respectful of its varied and long history. What I think JJ brings to this potential film that is most needed is his sense of “Magic” that he has somehow acquired, that almost unfathomable subtle touch of magic that makes the film feel impervious to negativity. If that makes any sense. He’s very Spielbergian in that way, which is why I also chose to add in Tom Hanks as the emotional anchor of the piece.

Christopher McQuarrie has a history of delivering knock out screenplays, and just wrote and directed the latest “Mission Impossible” installment, “Rogue Nation”. With “The Usual Suspects” in particular, and “Edge of Tomorrow” in a lesser way, McQuarrie has proven himself capable of multifaceted and complex screenplays. Though this film won’t be a mind blowing reveal like the ending of “The Usual Suspects” it will have multiple things going on all at once and I believe his style would only compliment it.

I see the plot essentially maintaining the general idea that a group of gunslingers ban together to save a small Mexican town overrun by bandits. However in my revision we would place the setting in America and the Sheriff is the initial push in banding together forces both local and afar to save the town from a crushing pair of British businessman that bought their way into the Oil business and need a railway to run their product through the town for high speed purposes. From there the film almost writes itself to be honest. First the threat is established by the foreign businessmen, then when they are turned down a terrible act of violence is carried out. Perhaps the child of Vin Diesel’s character? Dark, but a high character motivator. You’d have your traditional recruitment scenes wherein Hanks rounds up anyone who isn’t too scared of the threat aka Vin Diesel. Next up, the people that have great needs for which they will join up if reimbursed/helped, a la Pena, Pegg, and McAvoy. Lastly, the wild card, or Robert Downey Jr’s character, the charismatic big talker blown in from the east who is really a washed up legend and feels obliged to take up the cause.Lest the townspeople neglect him or worse, find out his true tale and exile him.

This could be a really fun throwback to Western and Samurai tales. I may have wandered too far from the original concept, but every remake has to have its own skin, it’s own purpose, otherwise why do it at all? Obviously the third Act has to have large numbers of muscle/militia bought by the businessmen that end up carrying out an onslaught on the town and its people. Maybe even have Aaron Paul’s young and nimble deputy fall in battle as in the initial Western remake? Like I said there’s a lot you could do with this, I love the idea of it and while this will look almost nothing like the actual remake that is being made right now, I can dream, and you should too! That’s my Movie Pitch for this week!