Written by Lynn Shelton and Michael Patrick O’Brien and directed by Shelton, “Sword of Trust” is a dramatic comedy that follows a mysterious Sword from the Civil War, and how it may in fact bear proof that the South had actually won the war. Marc Maron stars in the film as Mel, a wry but welcoming curmudgeon of sorts that runs a pawn shop in Alabama. He has one employee, Nathaniel (Jon Bass), a fool with a heart of gold who harbors a fascination for conspiracy theories propagated on the internet. We’re also introduced to Cynthia (Jillian Bell) and Mary (Michaela Watkins), a couple visiting town to manage Cynthia’s grandfather’s will and belongings. With the bank owning her grandfather’s house Cynthia is left only with a Civil War sword with several documents and a letter from her grandfather stating the sabre’s importance.
At first when the couple dare to enter Mel’s pawn shop, eager to rid themselves of their inherited relic of alternate history, they attempt to recoup their losses by feigning the sword’s legitimacy. This scene (and the film as a whole) between Mel and the couple attempting to prove the sword’s authenticity was a welcomed throwback to the character driven, dialogue heavy, indie flicks from the nineties. After some clever wordplay the four decide to seek out any true believers of the conspiracy willing to shell out enough cold hard cash for the blade. They encounter rival factions of southern men willing to get nasty over the conspiracy as they discover that a surprising amount of people believe in the flimsy facade, and are willing to get violent for “the truth“.
The emotional crux of the film, which was unexpected on my part, came from Maron’s Mel. When the foursome are hauled in the back of a trailer to the secret location of the family boss presiding over items of legitimacy from “The War of Northern Aggression“, they take the time to get to know each other. Cynthia and Mary recount their decision to chase their dreams before attempting to have and raise children, but it’s when they ask Mel about his life where he reflects on his musician-junkie days with Deirdre (in a small supporting role played by the director of the film, Lynn Shelton) where the film finds its humanistic core. The film’s identity relies, wisely, on the performances of its characters, and its in Marc Maron’s performance in the third act where all of the character’s intricacies and nuances are connected to a past of love, regret, hardened outlooks, and a weathered sense of realism that’s relatable and true to life. Maron, always ready with a pithy comeback, is anchored by a cast of skilled performers all working towards a well made dramatic comedy. “Sword of Trust” is a film that’s perfectly tailored for our post-truth paradigm, the fact that it manages to be equal parts clever and funny while maintaining a breezy hour and a half runtime is in itself a small cinematic miracle. Check it out!
Final Score: 40,000 dollars